They say you can't study Kabbalah until you are at least 40 years old. You know why? You have to have experienced at least one generation making the same mistakes as the previous one.
David MametRead
It's hard for a Jew of my generation, an American Jew, who is philo-Zionistic, not to romanticize Israel.
Interpretation
The quote reflects the complexity of identity and the emotional ties to oneβs homeland, particularly for American Jews.
David Mamet articulates the internal struggle of American Jews regarding their connection to Israel. This sentiment is heightened by both cultural identity and the historical context of Jewish experiences, leading to an often romanticized view of Israel as a homeland that embodies hope and aspiration despite the political complexities and challenges that also exist.
In practice
In a speech about cultural identity, referencing Mamet's quote can highlight the emotional complexities of diaspora.
They say you can't study Kabbalah until you are at least 40 years old. You know why? You have to have experienced at least one generation making the same mistakes as the previous one.
My alma mater is the Chicago Public Library. I got what little educational foundation I got in the third-floor reading room, under the tutelage of a Coca-Cola sign.
You know, young actors say all the time, 'Should I use my own life experience?' And my response is, 'What choice do you have?'
You can't write about history without writing about politics at some point. History is about movements of people. 'What is criminality and what is government' is a theme that runs through every history.
Every reiteration of the idea that nothing matters debases the human spirit.
The subject of drama is The Lie. At the end of the drama THE TRUTH -- which has been overlooked, disregarded, scorned, and denied -- prevails. And that is how we know the Drama is done.
Being is seeing in the human dimension.
Character assassination is at once easier and surer than physical assault; and it involves far less risk for the assassin. It leaves him free to commit the same deed over and over again, and may, indeed, win him the honors of a hero in the country of his victims.
Bathtub falls and police officers kill more Americans than terrorism, yet we've been asked to sacrifice our most sacred rights for fear of falling victim to it.
But once a dead God, always a dead God, even resurrected. The Son must have the taste of death forever in his mouth. The Trinity must be tainted by it; there must be a certain stench at the right hand of God the Father. The horror must be real. Why would God wish that upon Himself? Why not leave death to mortals? Why make dirty what is beautiful, spoil what is perfect? -- Love. That was his answer.
Nor do I regret that I have lived, since I have so lived that I think I was not born in vain, and I quit life as if it were an inn, not a home.
I pray-for fashion's word is out And prayer comes round again- That I may seem, though I die old, A foolish, passionate man.
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