As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
William ShakespeareRead
That strain again! It had a dying fall: _x000D_ _x000D_ O, it came o'er my ear like the sweet sound _x000D_ _x000D_ That breathes upon a bank of violets, _x000D_ _x000D_ Stealing and giving odour! Enough; no more: _x000D_ _x000D_ 'Tis not so sweet as it was before.
Interpretation
The quote reflects on the fleeting nature of beauty and the bittersweet experience of loss.
In this quote, Shakespeare uses the metaphor of a fading sound to express the transient quality of beauty and joy. The comparison to a sweet sound that was once vibrant but has now diminished highlights how experiences can lose their luster over time, evoking a sense of nostalgia and the inevitability of change in our perceptions and emotions.
In practice
During a speech about the transient nature of life...
As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
Love bears it out even to the edge of doom.
Good company, good wine, good welcome, can make good people.
Absence doth sharpen love, presence strengthens it; the one brings fuel, the other blows it till it burns clear.
Lord, Lord, how this world is given to lying!
Give it an understanding, but no tongue.
In my photography, I always lean towards the underprivileged because that's where I came from. When I went to the wars, I attempted to go and stand by those who were being trodden on. By that, I mean people like the Palestinians. When I go to India, I see really the poorest people, and I tend to be drawn to them.
Novel writing is the slowest art form in the world. It is not a sprint. It is not even a marathon. It is a series of marathons that stretch over and over across a continent.
The sound of the rain needs no translation. In music one doesn't make the end of the composition the point of the composition... Same way in dancing, you don't aim at one particular spot in the room... The whole point of dancing is the dance.
We call those poets who are first to mark, Through earth's dull mist the coming of the dawn, Who see in twilight's gloom the first pale spark, While others only note that day is gone.
Fine music without devotion is but a splendid garment upon a corpse.
It's not just songs and glamour. It's sweat, blood, broken toes, and mistakes... It's life.
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