An abstract painting need in 50 years by no means look "abstract" any longer.
Marcel DuchampRead
For me, the 'Three Stoppages' was a first gesture liberating me from the past.
Interpretation
The quote reflects the idea of breaking free from traditional constraints to embrace new artistic expressions.
Marcel Duchamp's quote about the 'Three Stoppages' emphasizes a pivotal moment in his artistic journey, symbolizing a departure from conventional practices and a move towards innovation. It highlights the importance of freedom in creativity and the need to liberate oneself from old norms and expectations in order to explore new artistic possibilities.
In practice
This quote can be used in a discussion about modern art and its relationship with traditional forms.
An abstract painting need in 50 years by no means look "abstract" any longer.
All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.
I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position.
I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
I became a librarian at the Sainte-Genevieve Library in Paris. I made this gesture to rid myself of a certain milieu, a certain attitude, to have a clean conscience, but also to make a living. I was twenty-five. I had been told that one must make a living, and I believed it.
When I'm dancing, I'm not thinking about anything. I am here. I am totally there. You know? And the feeling is a sensation of being away from myself. My soul dances with the angels, and my body dances with my wife.
Writing, I think, is not apart from living. Writing is a kind of double living. The writer experiences everything twice. Once in reality and once in that mirror which waits always before or behind.
When I'm in certain moods, a conversation will start up in my head, and suddenly I'll realize that the language has reached a very high and interesting level, and then lines and stanzas will just kind of appear, full-blown.
I don't believe that songwriting has to be profound, but I truly believe that it's a crime for you to go outta your way for it not to be.
All movies assault the viewer in one way or another.
Most people read poetry listening for echoes because the echoes are familiar to them. They wade through it the way a boy wades through water, feeling with his toes for the bottom: The echoes are the bottom.
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