It's very hard to turn your back once you're aware of what's going on, and you're aware of the injustices, and you're aware of the civilian casualties. It's much easier if you have no idea and you've never seen it.
Lynsey AddarioRead
Don't expect things to happen fast. Be empathetic with the people you are photographing. Don't be concerned about money.
Interpretation
Take time to connect with your subjects rather than rushing for results; prioritize understanding over profit.
Lynsey Addario's quote emphasizes the importance of patience and empathy in the art of photography. It suggests that the photographer should not rush the process or focus solely on financial gain, but instead cultivate a deep, meaningful connection with their subjects to capture authentic moments.
In practice
During a photography workshop, students could reflect on the importance of empathy while capturing images.
It's very hard to turn your back once you're aware of what's going on, and you're aware of the injustices, and you're aware of the civilian casualties. It's much easier if you have no idea and you've never seen it.
I do think my childhood is one of the fundamental reasons that I'm able to do my job. We were raised in this totally nonjudgmental family. We never knew who was going to walk in the front door. And as a journalist and a photographer, you walk into so many different scenes that you have to be open to everything.
As a Western woman in the Middle East, I am often put in a different category. I am sort of like the third sex. I am not treated like a man. I am not treated like a woman. I am just treated like a journalist. That is usually really helpful.
My strength is looking for composition and light, and I think those things come in the quieter times of war or photographing people affected on the margins of war - civilians, refugees; that is where I really excel.
If people really saw what was happening in Iraq and Afghanistan, then they might be marching in the streets to end wars. But you know, I think that no one ever sees because we're not allowed to see, and we're not allowed to publish what we do see. So it's quite difficult.
Look, I would say that anyone who does this work and doesn't have a strain of idealism is an adrenaline junkie or completely narcissistic. There is no other justification. You're risking your life, and if anything happens, it's our families who suffer tremendously.
I just like the continue doing what I've been doing. A melange of funny, straight drama, television, movies, a little theater here and there wouldn't hurt. So if I can keep doing that, I'll be a very happy person.
I'll keep on acting 'til they wipe the drool. I like the business. I like to do different parts and diverse characters. I haven't lost my enthusiasm yet!
As a dramatist, you have 200 choices at every fork in the road. But the audience will reject it if you make the wrong choice, if they feel you are trying to shape the character in a way that suits you. It rings false immediately. People can sense when you're being cynical or schematic.
Writing criticism is to writing fiction and poetry as hugging the shore is to sailing in the open sea.
A writer of story books! What kind of business in life-what mode of glorifying God, or being serviceable to mankind in his day and generation-may that be? Why, the degenerate fellow might as well have been a fiddler!
On the technical side, I hope that my writing is evolving and maturing, ripening, deepening.
Subscribe for the occasional hand-picked quote. No noise.