It's very hard to turn your back once you're aware of what's going on, and you're aware of the injustices, and you're aware of the civilian casualties. It's much easier if you have no idea and you've never seen it.
Lynsey AddarioRead
Don't expect things to happen fast. Be empathetic with the people you are photographing. Don't be concerned about money.
Interpretation
Take time to connect with your subjects rather than rushing for results; prioritize understanding over profit.
Lynsey Addario's quote emphasizes the importance of patience and empathy in the art of photography. It suggests that the photographer should not rush the process or focus solely on financial gain, but instead cultivate a deep, meaningful connection with their subjects to capture authentic moments.
In practice
During a photography workshop, students could reflect on the importance of empathy while capturing images.
It's very hard to turn your back once you're aware of what's going on, and you're aware of the injustices, and you're aware of the civilian casualties. It's much easier if you have no idea and you've never seen it.
I do think my childhood is one of the fundamental reasons that I'm able to do my job. We were raised in this totally nonjudgmental family. We never knew who was going to walk in the front door. And as a journalist and a photographer, you walk into so many different scenes that you have to be open to everything.
As a Western woman in the Middle East, I am often put in a different category. I am sort of like the third sex. I am not treated like a man. I am not treated like a woman. I am just treated like a journalist. That is usually really helpful.
My strength is looking for composition and light, and I think those things come in the quieter times of war or photographing people affected on the margins of war - civilians, refugees; that is where I really excel.
If people really saw what was happening in Iraq and Afghanistan, then they might be marching in the streets to end wars. But you know, I think that no one ever sees because we're not allowed to see, and we're not allowed to publish what we do see. So it's quite difficult.
Look, I would say that anyone who does this work and doesn't have a strain of idealism is an adrenaline junkie or completely narcissistic. There is no other justification. You're risking your life, and if anything happens, it's our families who suffer tremendously.
I realised a long time ago that instrumental music speaks a lot more clearly than English, Spanish, Yiddish, Swahili, any other language. Pure melody goes outside time.
Stories of all lengths and depths come from different parts of the cave. For a novel, you must lay in mental, physical and spiritual provision as for a siege or for a time of hectic explosions, while a short story is, or can be, a steady, timed flame like the lighting of a blow lamp on a building site full of dry tinder.
It's wonderful to play a villain who gets a laugh or to stop a comedy dead in its tracks with a touching moment. It's kind of like a symphony that has very different movements.
'Rent' was the show that made me want to write. Or that showed me you're allowed to write.
It's been a long time...I shouldn't have left you_x000D_ _x000D_ Without a strong rhyme to step to.
I photographed the entire thing in color because to photograph it in black and white would be to keep it as a tragedy. Because there is a tragic element to photographing, in this case not war, but the collapse. It was just destruction.
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