We should attempt to bring nature, houses, and human beings together in a higher unity.
Ludwig Mies Van Der RoheRead
It is not architectural achievement that makes the structures of earlier times seem to us so full of significance but the circumstance that antique temples, Roman basilicas, and even the cathedrals of the Middle Ages are not the works of single personalities but creations of entire epochs.
Interpretation
The significance of ancient structures lies in their representation of the cultural and historical contexts rather than individual achievement.
Ludwig Mies Van Der Rohe highlights that the value we see in historical architecture stems not from individual architects but from the collective cultural and social efforts over time. These structures, such as antique temples and cathedrals, reflect the shared ideals, artistic expressions, and historical moments of entire epochs, showing how architecture is a testament to human collaboration and societal development.
In practice
This quote could be used in a speech about the importance of historical preservation in architecture.
We should attempt to bring nature, houses, and human beings together in a higher unity.
Architecture depends on facts, but its real field of activity lies in the realm of the significance.
The demands of the time for objectivity and functionality must be fulfilled. If that clearly happens, then the buildings of our day will convey the greatness of which the age is capable, and only a fool will maintain that they lack it.
I think that an industrial process is not like a rubber stamp. Everything has to be put together and, as such, should have its own expression.
Reinforced concrete buildings are by nature skeletal buildings. No noodles nor armoured turrets. A construction of girders that carry the weight, and walls that carry no weight. That is to say, buildings consisting of skin and bones.
Modern buildings of our time are so huge that one must group them. Often the space between these buildings is as important as the buildings themselves.
I still think it's really quite wonderful when I read a sentence of mine and it has that quality of lastingness.
I mean by a picture a beautiful romantic dream of something that never was, never will be - in a light better than any light that ever shone - in a land no one can define, or remember, only desire
I think writers need windows on a view to remind them that a whole world is out there, not the minutiae with which they might be dealing on a close scale
Piece by piece, I fed my wardrobe to the night wind, and flutteringly, like a loved one’s ashes, the gray scraps were ferried off, to settle here, there, exactly where I would never know, in the dark heart of New York.
I want work that, possessing as thin a membrane as possible between life and art, foregrounds the question of how the writer solves being alive.
I think it's very important for writers and artists generally to be witnesses to the world, and to be transparent. To let other people speak... to travel... to experience the world. And memorialize it.
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