We should attempt to bring nature, houses, and human beings together in a higher unity.
Ludwig Mies Van Der RoheRead
It is not architectural achievement that makes the structures of earlier times seem to us so full of significance but the circumstance that antique temples, Roman basilicas, and even the cathedrals of the Middle Ages are not the works of single personalities but creations of entire epochs.
Interpretation
The significance of ancient structures lies in their representation of the cultural and historical contexts rather than individual achievement.
Ludwig Mies Van Der Rohe highlights that the value we see in historical architecture stems not from individual architects but from the collective cultural and social efforts over time. These structures, such as antique temples and cathedrals, reflect the shared ideals, artistic expressions, and historical moments of entire epochs, showing how architecture is a testament to human collaboration and societal development.
In practice
This quote could be used in a speech about the importance of historical preservation in architecture.
We should attempt to bring nature, houses, and human beings together in a higher unity.
Architecture depends on facts, but its real field of activity lies in the realm of the significance.
The demands of the time for objectivity and functionality must be fulfilled. If that clearly happens, then the buildings of our day will convey the greatness of which the age is capable, and only a fool will maintain that they lack it.
I think that an industrial process is not like a rubber stamp. Everything has to be put together and, as such, should have its own expression.
Reinforced concrete buildings are by nature skeletal buildings. No noodles nor armoured turrets. A construction of girders that carry the weight, and walls that carry no weight. That is to say, buildings consisting of skin and bones.
Modern buildings of our time are so huge that one must group them. Often the space between these buildings is as important as the buildings themselves.
Time broadens the scope of verses and I know of some which, like music, are everything for all men.
The function of the artist in a disturbed society is to give awareness of the universe, to ask the right questions, and to elevate the mind.
I think that the idea of having a different approach to every single one of my albums is so exciting to me. I never want to make the same record twice. Why do it? What's the point?
I have made a silent compact with myself not to change a line of what I write. I am not interested in perfecting my thoughts, nor my actions.
Creative life should be more than preaching to the converted, more than going for a core audience of 100,000 people. It should be taking risks, challenging the readership and having enough faith in one's own talent and craft to take readers on that ride.
I'm realistic about my age and realistic about the fact that there's an awful lot less in front of me than there is behind me. I've always felt that music is an art form that deserves to live the life of the artist.
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