We should attempt to bring nature, houses, and human beings together in a higher unity.
Ludwig Mies Van Der RoheRead
Reinforced concrete buildings are by nature skeletal buildings. No noodles nor armoured turrets. A construction of girders that carry the weight, and walls that carry no weight. That is to say, buildings consisting of skin and bones.
Interpretation
This quote emphasizes the simplistic and essential nature of modern architecture, highlighting how form follows function.
Ludwig Mies Van Der Rohe's quote illustrates the philosophy of modern architecture, where buildings are designed to reveal their structural elements. By describing reinforced concrete buildings as 'skeletal,' he conveys the idea that the visible framework, or 'girders,' is what supports the structure, while the walls serve merely as a skin—emphasizing a blend of aesthetics and functionality that defines modernist design.
In practice
In an architecture lecture, discussing the principles of modernist design.
We should attempt to bring nature, houses, and human beings together in a higher unity.
Architecture depends on facts, but its real field of activity lies in the realm of the significance.
The demands of the time for objectivity and functionality must be fulfilled. If that clearly happens, then the buildings of our day will convey the greatness of which the age is capable, and only a fool will maintain that they lack it.
I think that an industrial process is not like a rubber stamp. Everything has to be put together and, as such, should have its own expression.
Modern buildings of our time are so huge that one must group them. Often the space between these buildings is as important as the buildings themselves.
It is not architectural achievement that makes the structures of earlier times seem to us so full of significance but the circumstance that antique temples, Roman basilicas, and even the cathedrals of the Middle Ages are not the works of single personalities but creations of entire epochs.
Beauty is the sole ambition, the exclusive goal of Taste.
As a photographer who is constantly in violent, bloody situations where the instinct is to turn away, I am always trying to figure out how to make people not turn away.
The script is what you`ve dreamed up - this is what it should be. The film is what you end up with.
The thing I always say to any writer that I'm working with is: Just make sure that in any argument, EVERYONE is right. I want every single person arguing a righteous side of the argument. That makes interesting drama.
One very important aspect of art is that it makes people aware of what they know and don’t know they know... Once the breakthrough is made, there is a permanent expansion of awareness. But there is always a reaction of rage, of outrage, at the first breakthrough... So the artist, then, expands awareness. And once the breakthrough is made, this becomes part of the general awareness.
I have things in my head that are not like what anyone has taught me - shapes and ideas so near to me - so natural to my way of being and thinking that it hasn't occurred to me to put them down.
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