Fear is the path to the dark side. Fear leads to anger. Anger leads to hate. Hate leads to suffering.
George LucasRead
The script is what you`ve dreamed up - this is what it should be. The film is what you end up with.
Interpretation
What this quote means
This quote contrasts the idealized vision of a project with the final result, reflecting the journey from imagination to realization.
George Lucas highlights the difference between the creative vision one has for a project and the actual outcome that is achieved. It speaks to the inherent challenges of bringing dreams into reality, suggesting that while our aspirations may be grand, the execution can vary significantly due to numerous factors, including limitations of resources and unexpected circumstances.
Themes
DreamsFilmCreationArtReality
In practice
Example use cases
In a film class discussing the creative process, this quote can exemplify how filmmakers navigate their visions.
More from George Lucas
All quotes βWhen you are a beginning film maker you are desperate to survive. The most important thing in the end is survival and being able to get to your next picture.
George LucasRead
The technology keeps moving forward, which makes it easier for the artists to tell their stories and paint the pictures they want.
George LucasRead
I've come to the conclusion that mythology is really a form of archaeological psychology. Mythology gives you a sense of what a people believes, what they fear.
George LucasRead
I wanted Yoda to be the traditional kind of character you find in fairy tales and mythology. And that character is usually a frog or a wizened old man on the side of the road. The hero is going down the road and meets this poor and insignificant person. The goal or lesson is for the hero to learn to respect everybody and to pay attention to the poorest person because that's where the key to his success will be.
George LucasRead
So this is how liberty dies. With thunderous applause.
George LucasRead
Similar quotes
The authour who imitates his predecessors only by furnishing himself with thoughts and elegances out of the same general magazine of literature, can with little more propriety be reproached as a plagiary, than the architect can be censured as a mean copier of Angelo or Wren, because he digs his marble out of the same quarry, squares his stones by the same art, and unites them in columns of the same orders.
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I love that moment just before the curtain goes up, whether I'm sitting in the audience or standing backstage. It's full of expectation. It's a thrill that's unequaled anywhere.
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When you are writing literary writing, you are communicating something subtextual with emotions and poetry. The prose has to have a voice; it's not just typing. It takes a while to get that voice.
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Mere color, unspoiled by meaning, and unallied with definite form, can speak to the soul in a thousand different ways.
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People always ask what a book is about, as if it has to be about something. I don't want to write books that lend themselves to that sort of description. My books are more a kind of breaking-down.
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My work is not about "form follows function," but "form follows beauty" or, even better, "form follows feminine."
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