Movies aren't finished, they're abandoned. And you have to make your peace with that.
David FincherRead
The thing I always say to any writer that I'm working with is: Just make sure that in any argument, EVERYONE is right. I want every single person arguing a righteous side of the argument. That makes interesting drama.
Interpretation
David Fincher emphasizes the importance of presenting multiple perspectives in storytelling to enhance drama.
In this quote, David Fincher highlights the idea that every character in a narrative should have a valid perspective in their arguments. By ensuring that each person involved in a conflict has a righteous viewpoint, the resulting drama becomes more compelling and complex, inviting the audience to understand the multifaceted nature of human conflict.
In practice
A screenwriter could use this quote in a workshop about character development.
Movies aren't finished, they're abandoned. And you have to make your peace with that.
You’ll find that the movie business is paid for by those mega movies. The movie business is paid for by Big Macs. By movies as product. Movie studios use that term “product” all the time. Product? You mean you have a lot of stories? No, we have a lot of product. You have stories.
In film, we sculpt time, we sculpt behaviour and we sculpt light.
For a number of years, I'd been around the kind of people who financed movies and the kind of people who are there to make the deals for movies. But I'd always had this naive idea that everybody wants to make movies as good as they can be, which is stupid.
Entertainment has to come hand in hand with a little bit of medicine. Some people go to the movies to be reminded that everything's okay. I don't make those kinds of movies. That, to me, is a lie. Everything's not okay.
The fact is, you don't know what directing is until the sun is setting and you've got to get five shots and you're only going to get two.
The only emperor is the emperor of ice cream.
Because of 'World War Z' and 'The Walking Dead,' I can't pitch a modest little zombie film which is meant to be sociopolitical.
The moment always dictates in my work. What I feel, I do. This is the most important thing for me. Everybody can look, but they don't necessarily see. I never calculate or consider; I see a situation and I know that it's right, even if I have to go back to get the proper lighting.
I dreamed of having a book of my own, of writing one that I could put on a shelf.
No art ever survived censorship; no art ever will.
This image of wanting to be an artist - that I would in some way become an artist -was very strong. I knew for a long, long time that that's what I would be. But nothing I ever did seemed to bring me any nearer to the condition of being an artist. And I didn't know how to do it.
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