When I learnt to write I became my own master, I became very strong, and that strength is with me to this very day.
V. S. NaipaulRead
I still think it's really quite wonderful when I read a sentence of mine and it has that quality of lastingness.
Interpretation
The quote expresses the joy of creating art that endures over time.
V. S. Naipaul reflects on the profound satisfaction an author experiences when their written words possess a timeless quality, resonating with readers long after they are penned. This sense of lasting impact underscores the intrinsic value of literature and its ability to transcend the moment of creation.
In practice
This quote can be used in a writing workshop to inspire aspiring authors.
When I learnt to write I became my own master, I became very strong, and that strength is with me to this very day.
It is wrong to have an ideal view of the world. That's where the mischief starts. That's where everything starts unravelling.
If you decide to move to another country and to live within its laws you don't express your disregard for the essence of the culture. It's a form of aggression.
One must always try to see the truth of a situation - it makes things universal.
His ignorance seemed to widen with everything he read.
I think when you see so many Hindu temples of the 10th century or earlier disfigured, defaced, you realise that something terrible happened. I feel the civilisation of that closed world was mortally wounded by those invasions the old world is destroyed. That has to be understood. Ancient Hindu India was destroyed.
Honest songs aren`t written for money.
The painter constructs, the photographer discloses.
For me, drum elements are like hieroglyphics - I think of a certain physical figure, and a little three-dimensional glyph will appear in my mind as I'm playing.
You can't intellectually purge yourself of who you are. Whatever that is, it's going to come out in the wash, the film wash. What you are is going to be relevant, if not to yourself, to the movies you make.
A museum has to renew its collection to be alive, but that does not mean we give on important old works.
Media gatekeepers - editors, publishers, film studios and the like - need to begin investing in talent behind the scenes, developing and resourcing marginalized voices to tell their own stories. At the end of the day, it's about the story and what will enable the audience to truly see, understand, and know the life and times of the subject.
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