If you choose not to decide, you still have made a choice.
Neil PeartRead
For me, drum elements are like hieroglyphics - I think of a certain physical figure, and a little three-dimensional glyph will appear in my mind as I'm playing.
Interpretation
The quote compares drum elements to hieroglyphics, suggesting that each drumbeat represents a physical representation or idea in the mind of the musician.
In this quote, Neil Peart illustrates how drum elements evoke vivid imagery and thoughts in his mind while playing. Just as hieroglyphics serve as symbols that convey deeper meanings, the rhythms and beats of drumming translate into visual and spatial representations for Peart, allowing him to connect art and music in a unique and expressive way.
In practice
In a speech about creativity in art, one could use this quote to highlight how musicians visualize their music.
If you choose not to decide, you still have made a choice.
The real test of a musician is live performance. It's one thing to spend a long time learning how to play well in the studio, but to do it in front of people is what keeps me coming back to touring.
Performing live in front of an audience is such a matter of will - all of those things you can do just fine in your basement, suddenly you have to do them in front of hundreds or thousands of people, and it becomes a different matter entirely.
It seems to me that's the only way you can have a truly creative aggregate of people is if they're all contributing in different ways.
What I've learned over the years is that the craft of songwriting is trying to take the personal and make it universal - or in the case of telling a story, taking the universal and making it personal.
I've heard the stories. Like, Eric Clapton said he wanted to burn his guitar when he heard Jimi Hendrix play. I never understood that because, when I went and saw a great drummer or heard one, all I wanted to do was practice.
A writer of fiction lives in fear. Each new day demands new ideas and he can never be sure whether he is going to come up with them or not.
True beauty is something that attacks, overpowers, robs, and finally destroys.
I get thousands of letters, and they give me a feeling of how each book is perceived. Often I think I have written about a certain theme, but by reading the letters or reviews, I realise that everybody sees the book differently.
I always say it takes three weeks to know a character and three months to own it. And I think that's probably true of every theater artist. If you really want to see a performance of the show, wait three months.
The best thing about being a writer is it gives you readers who understand your deepest feelings and fears.
I think that one's art is a growth inside one. I do not think one can explain growth. It is silent and subtle. One does not keep digging up a plant to see how it grows.
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