My sole recreations consist in dancing English hornpipes and cutting capers. Italy is a land of sleep; I am always drowsy here.
Wolfgang Amadeus MozartRead
People err who think my art comes easily to me. I assure you, dear friend, nobody has devoted so much time and thought to compositions as I. There is not a famous master whose music I have not industriously studied through many times.
Interpretation
Mozart emphasizes that his musical talent required immense dedication and hard work, rather than being a result of natural gift.
In this quote, Mozart reflects on the misconception that artistic talent, particularly in music, arises effortlessly. He underscores that true mastery involves rigorous study and extensive time investment, suggesting that even renowned masters must labor diligently over their craft. The dedication he expresses reveals the underlying reality of artistic achievement, which combines both inherent ability and substantial effort.
In practice
This quote can be used during an art class to inspire students about the importance of practice.
My sole recreations consist in dancing English hornpipes and cutting capers. Italy is a land of sleep; I am always drowsy here.
My dear sister! I’m amazed to discover that you can compose so delightfully. In a word, your Lied is beautiful. You must compose more often.
I hope never to marry in this way; I wish to make my wife happy, but not to become rich by her means, so I will let things alone and enjoy my golden freedom till I am so well off that I can support both wife and children.
I thank my God for graciously granting me the opportunity of learning that death is the key which unlocks the door to our true happiness.
I am one of those who will go on doing till all doings are at an end.
My Constanze is the virtuous, honourable, discreet, and faithful darling of her honest and kindly-disposed Mozart.
Art, whose honesty must work through artifice, cannot avoid cheating truth.
The artist must have something to say, for mastery over form is not his goal but rather the adapting of form to its inner meaning.
An idea is a feat of association, and the height of it is a good metaphor.
In the modern world, all literary art is necessarily political -- especially that which pretends not to be.
When I see an Alfa Romeo go by, I tip my hat.
Dogmatism of all kinds--scientific, economic, moral, as well as political--are threatened by the creative freedom of the artist. This is necessarily and inevitably so. We cannot escape our anxiety over the fact that the artists together with creative persons of all sorts, are the possible destroyer of our nicely ordered systems. (p. 76)
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