As for politics, I’m an anarchist. I hate governments and rules and fetters. Can’t stand caged animals. People must be free.
Charlie ChaplinRead
Actors search for rejection. If they don't get it they reject themselves.
Interpretation
Actors embrace rejection as a necessary part of their craft; without it, they lack authenticity.
This quote by Charlie Chaplin highlights the intrinsic relationship between rejection and self-acceptance in the life of an actor. It suggests that actors actively seek the challenging experiences of rejection, as these moments are vital for personal growth and artistic development. If they do not face external rejection, they may struggle with self-doubt and self-rejection, ultimately affecting their ability to connect with their art and audience authentically.
In practice
In a motivational speech about overcoming challenges in acting.
As for politics, I’m an anarchist. I hate governments and rules and fetters. Can’t stand caged animals. People must be free.
By simple common sense I don't believe in God, in none.
Friends have asked how I came to engender this American antagonism. My prodigious sin was, and still is, being a non-conformist. Although I am not a Communist I refused to fall in line by hating them. Secondly, I was opposed to the Committee on Un-American Activities - a dishonest phrase to begin with, elastic enough to wrap around the throat and strangle the voice of any American citizen whose honest opinion is a minority of one.
You the people have the power to make this life free and beautiful, to make this life a wonderful adventure.
During my incarceration Mother visited me. She had in some way managed to leave the workhouse and was making an effort to establish a home for us. Her presence was like a bouquet of flowers; she looked so fresh and lovely that I felt ashamed of my unkempt appearance and my shaved iodined head.'You must excuse his dirty face,' said the nurse.Mother laughed, and how well I remember her endearing words as she hugged and kissed me: 'With all thy dirt I love thee still.
my lips never know my problem they just always smile
Writing well involves walking the path of most resistance. Sitting still, being patient, allowing the lunatic dream to take shape on the page, then the shaping, the pencil on the page, breathing, slowing down, being willing–no, more than willing, being wide open–to press the bruise until it blossoms.
Every child is an artist. The problem is how to remain an artist once we grow up.
Now I need to take a piece of wood and make it sound like the railroad track, but I also had to make it beautiful and lovable so that a person playing it would think of it in terms of his mistress, a bartender, his wife, a good psychiatrist - whatever.
It's hard to make something that's interesting. It's really, really hard. It's like a law of nature, a law of aerodynamics, that anything that's written or anything that's created wants to be mediocre. The natural state of all writing is mediocrity... So what it takes to make anything more than mediocre is such an act of will.
[Lee Morgan] was the only young cat that scared me when he played. He had so much fire and natural feeling. I had more technique, but he had that feeling. People seemed to like him more than they like me at the beginning.
Poetry is the most subtle of the literary arts, and students grow more ingenious by the year at avoiding it. If they can nip around Milton, duck under Blake and collapse gratefully into the arms of Jane Austen, a lot of them will.
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