It took, for me, a long time to develop this idea of what to do on the radio. But from the beginning of my time in radio, I had pretty non-traditional tasks.
Ira GlassRead
It's hard to make something that's interesting. It's really, really hard. It's like a law of nature, a law of aerodynamics, that anything that's written or anything that's created wants to be mediocre. The natural state of all writing is mediocrity... So what it takes to make anything more than mediocre is such an act of will.
Interpretation
Creating something interesting requires significant effort and intention, as mediocrity is its natural state.
Ira Glass emphasizes that producing work that stands out and captivates an audience is inherently challenging. The default condition of any creative endeavor is to settle into mediocrity, but overcoming this inertia demands a strong will and deliberate effort to strive for excellence.
In practice
During a speech at a creative conference to inspire artists.
It took, for me, a long time to develop this idea of what to do on the radio. But from the beginning of my time in radio, I had pretty non-traditional tasks.
At some point, all comics have to go out and be retail salesmen doing door-to-door. And this idea of somebody who totally knows their craft having to get up for free in front of a crowd to work out some stuff they're thinking in their head, still, after as much success as you can get, is really interesting.
I think good radio often uses the techniques of fiction: characters, scenes, a big urgent emotional question. And as in the best fiction, tone counts for a lot.
It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions.
I wish that someone had said to me that it's normal to feel lost for a little while.
When I was a bad writer, I would consciously imitate other NPR writers who I thought were wonderful. I suppose that everyone's artistic practice is different. But I collaborate and sometimes don't agree at all with my collaborators' opinions. It forces you to understand why you don't agree with something: what's the fight you're picking.
A young man is afraid of his demon and puts his hand over the demon's mouth sometimes and speaks for him. And the things the young man says are very rarely poetry.
Profoundness, genius, spontaneity, merit, nobility, ingenuity, voice propriety, feeling, discernment, sensibility, good taste, great tone, rightness, courtliness, vivacity, boldness, style, freshness, harmony, perfection, imagination, purity, correctness. The greatest writer of all times. God's most astonishing creation.
When human beings have been fascinated by the contemplation of their own hearts, the more intricate biological pattern of the female has become a model for the artist, the mystic, and the saint. When mankind turns instead to what can be done, altered, built, invented, in the outer world, all natural properties of men, animals, or metals become handicaps to be altered rather than clues to be followed.
The source of genius is imagination alone, the refinement of the senses that sees what others do not see, or sees them differently.
Adornment is never anything except a reflection of the heart.
Unless artists can remember what it was to be a little boy, they are only half complete as artist and as man.
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