It took, for me, a long time to develop this idea of what to do on the radio. But from the beginning of my time in radio, I had pretty non-traditional tasks.
Ira GlassRead
It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions.
Interpretation
To improve your work, you need to produce more and align it with your ambitions.
Ira Glass emphasizes the importance of consistent effort and production in achieving high-quality work. He suggests that the quality of your output will ultimately reflect your goals and aspirations, and that it is through the act of creating that one can bridge the gap between their current abilities and their ambitions.
In practice
In a motivational speech aimed at students preparing for their future careers.
It took, for me, a long time to develop this idea of what to do on the radio. But from the beginning of my time in radio, I had pretty non-traditional tasks.
At some point, all comics have to go out and be retail salesmen doing door-to-door. And this idea of somebody who totally knows their craft having to get up for free in front of a crowd to work out some stuff they're thinking in their head, still, after as much success as you can get, is really interesting.
I think good radio often uses the techniques of fiction: characters, scenes, a big urgent emotional question. And as in the best fiction, tone counts for a lot.
It's hard to make something that's interesting. It's really, really hard. It's like a law of nature, a law of aerodynamics, that anything that's written or anything that's created wants to be mediocre. The natural state of all writing is mediocrity... So what it takes to make anything more than mediocre is such an act of will.
I wish that someone had said to me that it's normal to feel lost for a little while.
When I was a bad writer, I would consciously imitate other NPR writers who I thought were wonderful. I suppose that everyone's artistic practice is different. But I collaborate and sometimes don't agree at all with my collaborators' opinions. It forces you to understand why you don't agree with something: what's the fight you're picking.
The only way to escape the personal corruption of praise is to go on working. One is tempted to stop and listen to it. The only thing is to turn away and go on working. Work. There is nothing else.
Failure is a reality; we all fail at times, and it's painful when we do. But it's better to fail while striving for something wonderful, challenging, adventurous, and uncertain than to say, " I don't want to try because I may not succeed completely.
I can accomplish far more than I have, and I will, for why would the miracle which produced me end with my birth? Why can I not extend that miracle to my deeds of today?
Go as far as you can see and you will see further.
I believe that people should take pride in what they do, even if it is scorned or misunderstood by the public at large.
Remind your critics when they say you don't have the expertise or experience to do something that an amateur built the ark and the experts built the Titanic
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