It took, for me, a long time to develop this idea of what to do on the radio. But from the beginning of my time in radio, I had pretty non-traditional tasks.
Ira GlassRead
At some point, all comics have to go out and be retail salesmen doing door-to-door. And this idea of somebody who totally knows their craft having to get up for free in front of a crowd to work out some stuff they're thinking in their head, still, after as much success as you can get, is really interesting.
Interpretation
Comics, like all artists, must continually hone their craft and share their work, even after finding success.
This quote reflects the journey of comics and artists who, despite achieving a level of success, must still put themselves out there to experiment and connect with audiences. It highlights the ongoing process of growth and the necessity of practice in the pursuit of artistic mastery, emphasizing that even the most skilled individuals have to face vulnerability and challenges.
In practice
During a motivational speech about perseverance in the arts, this quote can illustrate the continuous effort artists must put in.
It took, for me, a long time to develop this idea of what to do on the radio. But from the beginning of my time in radio, I had pretty non-traditional tasks.
I think good radio often uses the techniques of fiction: characters, scenes, a big urgent emotional question. And as in the best fiction, tone counts for a lot.
It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions.
It's hard to make something that's interesting. It's really, really hard. It's like a law of nature, a law of aerodynamics, that anything that's written or anything that's created wants to be mediocre. The natural state of all writing is mediocrity... So what it takes to make anything more than mediocre is such an act of will.
I wish that someone had said to me that it's normal to feel lost for a little while.
When I was a bad writer, I would consciously imitate other NPR writers who I thought were wonderful. I suppose that everyone's artistic practice is different. But I collaborate and sometimes don't agree at all with my collaborators' opinions. It forces you to understand why you don't agree with something: what's the fight you're picking.
I do feel that I have to use my voice for those that don't have one. I have to do the best I can in my own work to represent my culture, represent the women of my country, of Latin America. What we stand for. What we're made of.
Im interested in what would normally be considered the worst aspects of commercial art. I think its the tension between what seems to be so rigid and cliched and the fact that art really cant be this way.
I like smart movies about smart people, and enjoy it when most of the facts are on the table and we can contemplate them together.
Creativity is the result of a struggle between vitality and form. As anyone who has tried to write a sonnet or scan poetry, is aware, the form ideally do not take away from the creativity but may add to it.
I do fashion to tell a narrative.
You don't write for success. That takes part of your attention away from the writing. If you're really doing it, that's all you're doing: writing.
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