Personally, I experience success when I enjoy what I'm doing. I love the creative process, even if the end result isn't embraced by anyone else.
RupaulRead
I love drag, and I love people who gravitate toward it. Because the people who do drag are people who dance to the beat of a different drummer.
Interpretation
The quote expresses admiration for drag culture and its artists who embrace individuality and creativity.
Rupaul's quote highlights the unique sense of community and creativity found in drag culture. It celebrates the individuals who participate in drag as being distinct from societal norms, suggesting that these people are brave and authentic, dancing to their own rhythm and encouraging others to embrace their true selves.
In practice
In a speech about diversity and acceptance, you could use this quote to celebrate individual expression.
Personally, I experience success when I enjoy what I'm doing. I love the creative process, even if the end result isn't embraced by anyone else.
The secret of success in every field is redefining what success means to you. It can't be your parent's definition, the media's definition, or your neighbor's definition. Otherwise, success will never satisfy you.
Drag is involved with changing identities and not taking identities too seriously at all. That's why drag is such a hard sell to a network - or anyone, really - because it's up against the ego.
All things to do with drag are inherently therapeutic because the realization of your own insanity is the beginning of sanity.
I started out in this business in rock and roll bands and stumbled into drag. Drag just happened to be my vehicle for my creativity. So, you know, it's afforded me the opportunity to create new shows, to make music.
Drag breaks the fourth wall, which is why it's never been quite accepted, because nobody wants to be told that they are really a caricature of themself and to not take yourself too seriously.
I'm a photographer, period. I love photography, the immediacy of it. I like the craft, the idea of saying 'I'm a photographer.'
Artists teach critics what to think. Critics repeat what the artists teach them.
One wanted, she thought, dipping her brush deliberately, to be on a level with ordinary experience, to feel simply that's a chair, that's a table, and yet at the same time, It's a miracle, it's an ecstasy.
Wine ... offers a greater range for enjoyment and appreciation than possibly any other purely sensory thing which may be purchased.
As nearly as possible in the spirit of Matthew Salinger, age one, urging a luncheon companion to accept a cool lima bean, I urge my editor, mentor and (heaven help him) closest friend, William Shawn, genius domus of The New Yorker, lover of the long shot, protector of the unprolific, defender of the hopelessly flamboyant, most unreasonably modest of born great artist-editors to accept this pretty skimpy-looking book.
A story begins with this nebulous feeling that’s hard to get a hold of and you’re testing your feelings and assumptions, testing what you believe. They end up turning into keepsakes and mementos –like amber in which a memory gets trapped.
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