Personally, I experience success when I enjoy what I'm doing. I love the creative process, even if the end result isn't embraced by anyone else.
RupaulRead
Drag is involved with changing identities and not taking identities too seriously at all. That's why drag is such a hard sell to a network - or anyone, really - because it's up against the ego.
Interpretation
Drag celebrates fluid identities and challenges the seriousness of societal norms.
In this quote, Rupaul highlights how drag performs a critical role in changing perceptions of identity, emphasizing the importance of not taking oneself too seriously. The art of drag confronts ego and societal expectations, making it a difficult concept to market to mainstream media, as it destabilizes conventional understandings of identity and self-expression.
In practice
During a speech at a pride event to emphasize acceptance of different identities.
Personally, I experience success when I enjoy what I'm doing. I love the creative process, even if the end result isn't embraced by anyone else.
The secret of success in every field is redefining what success means to you. It can't be your parent's definition, the media's definition, or your neighbor's definition. Otherwise, success will never satisfy you.
All things to do with drag are inherently therapeutic because the realization of your own insanity is the beginning of sanity.
I started out in this business in rock and roll bands and stumbled into drag. Drag just happened to be my vehicle for my creativity. So, you know, it's afforded me the opportunity to create new shows, to make music.
Drag breaks the fourth wall, which is why it's never been quite accepted, because nobody wants to be told that they are really a caricature of themself and to not take yourself too seriously.
From childhood, we're trained to be a certain way, to behave a certain way - so that the power base can control us, really. And punk and drag are completely outside of that.
Dance is bigger than the physical body. When you extend your arm, it doesn't stop at the end of your fingers, because you're dancing bigger than that; you're dancing spirit.
I think the point to be understood is that we're all different. I've never been a fan of theories of acting. I didn't go to drama school, so I was never put through a training that was limited by someone saying, 'This is the way you should act.'
Casting sometimes is fate and destiny more than skill and talent, from a director's point of view.
To provide background and physical description and all the rest is of course vital to fiction, but vital only insofar as such detail is in the service of a richly imagined story, rather than in the service of good botany or good philosophy or good geography.
And all who heard should see them there, And all should cry, Beware! Beware! His flashing eyes, his floating hair! Weave a circle round him thrice, And close your eyes with holy dread, For he on honey-dew hath fed, And drunk the milk of Paradise.
I never heard my music played the way I heard it in my head.
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