Personally, I experience success when I enjoy what I'm doing. I love the creative process, even if the end result isn't embraced by anyone else.
RupaulRead
Drag is involved with changing identities and not taking identities too seriously at all. That's why drag is such a hard sell to a network - or anyone, really - because it's up against the ego.
Interpretation
Drag celebrates fluid identities and challenges the seriousness of societal norms.
In this quote, Rupaul highlights how drag performs a critical role in changing perceptions of identity, emphasizing the importance of not taking oneself too seriously. The art of drag confronts ego and societal expectations, making it a difficult concept to market to mainstream media, as it destabilizes conventional understandings of identity and self-expression.
In practice
During a speech at a pride event to emphasize acceptance of different identities.
Personally, I experience success when I enjoy what I'm doing. I love the creative process, even if the end result isn't embraced by anyone else.
The secret of success in every field is redefining what success means to you. It can't be your parent's definition, the media's definition, or your neighbor's definition. Otherwise, success will never satisfy you.
All things to do with drag are inherently therapeutic because the realization of your own insanity is the beginning of sanity.
I started out in this business in rock and roll bands and stumbled into drag. Drag just happened to be my vehicle for my creativity. So, you know, it's afforded me the opportunity to create new shows, to make music.
Drag breaks the fourth wall, which is why it's never been quite accepted, because nobody wants to be told that they are really a caricature of themself and to not take yourself too seriously.
From childhood, we're trained to be a certain way, to behave a certain way - so that the power base can control us, really. And punk and drag are completely outside of that.
It looks like the writer is telling you a story. What the writer is actually doing, however, is using words to evoke a series of micromemories from your own experience that inmix, join, and connect in your mind in an order the writer controls, so that, in effect, you have a sustained memory of something that never happened to you.
Great dancers are not great because of their technique, they are great because of their passion.
Out of my entire annual output of songs, perhaps two, or at the most three, came as a result of inspiration. We can never rely on inspiration. When we most want it, it does not come.
A dancer, if she is great, can give to the people something that they can carry with them forever. They can never forget it, and it has changed them, though they may never know it.
Chaplin and Keaton are still the best. They know that there is nothing more serious than laughter, an art demanding infinite work, and that as long as the world revolves, making others laugh is the most splendid of activities.
Poetry is not Irish or any other nationality; and when writers such as Messrs. Clarke, Farren and the late F. R. Higgins pursue Irishness as a poetic end, they are merely exploiting incidental local colour.
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