Drama is exposure; it is confrontation; it is contradiction and it leads to analysis, construction, recognition and eventually to an awakening of understanding.
Interpretation
The quote highlights the multifaceted nature of drama and its role in fostering understanding through exposure and conflict.
Peter Brook emphasizes that drama encompasses various elements such as exposure, confrontation, and contradiction, which together facilitate deep analysis and understanding. This process ultimately leads to a greater recognition of truth and insight, suggesting that through engaging with drama, one can achieve a profound awakening in their comprehension of complex ideas and human experiences.
In practice
During a theater workshop, one could use this quote to inspire participants to embrace the challenges of performance.
The purpose of theatre is... making an event in which a group of fragments are sudde nly brought together... in a community which, by the natural laws that make every community, gradually breaks up... At certain moments this fragmented world comes together and for a certain time it can rediscover the marvel of organic life ... The marvel of being one.
I can take any empty space and call it a bare stage. A man walks across this empty space, whilst someone else is watching him, and this is all that is needed for an act of theatre to be engaged.
The meaning of a theater event is that none of us could see something so clearly as with the new energy that is brought with the meeting of a theme, actors living it, and an audience gradually entering it to live it with them. At that moment, a certain light appears, revealing what we would never have thought of on our own.
It's easy to give up, and that's the one thing we cannot do. That's what gives me a reason for working: to leave people with a little more courage, with a little hope that has been nourished. Even if, of course, it's going to disappear, whatever touches one isn't lost forever.
Through a shared aim, shared needs, shared love of a shared result in theatre, from the creation of space... the coming-together of an endlessly repeated climax of shared performance, again and again, something special can appear.
Every form of theatre has something in common with a visit to the doctor. On the way out, one should always feel better than on the way in.
I always feel that whatever isn't necessary shouldn't be in a poem.
To be a performance artist, you have to hate theatre. Theatre is fake... The knife is not real, the blood is not real, and the emotions are not real. Performance is just the opposite: the knife is real, the blood is real, and the emotions are real.
I wouldn't want everybody to be an art or literature major, but the world would be poorer - figuratively, anyway - if we were all coding software or running companies. We also want musicians to awaken our souls, writers to lead us into fictional lands, and philosophers to help us exercise our minds and engage the world.
Music was our wife and we loved her. We stayed with her, clothed her and put diamond rings on her hands.
When I worked on a magazine, I learned that there are many, many writers writing that can't write at all; and they keep on writing all the cliches and bromides and 1890 plots, and poems about Spring and poems about Love, and poems they think are modern because they are done in slang or staccato style, or written with all the 'i's' small.
Japanese chefs believe our soul goes into our knives once we start using them. You wouldn't put your soul in a dishwasher!
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