When you first start out as an actor, you're just looking for a good part. As time goes on, if you're being held responsible for the movies themselves, you're looking for a good script all around.
George ClooneyRead
As a dramatist, you have 200 choices at every fork in the road. But the audience will reject it if you make the wrong choice, if they feel you are trying to shape the character in a way that suits you. It rings false immediately. People can sense when you're being cynical or schematic.
Interpretation
Authenticity in storytelling is crucial, as audiences can easily detect insincerity.
This quote by Peter Morgan emphasizes the importance of genuine choices in storytelling. When a dramatist faces crucial decisions, the audience's perception hinges on the authenticity of the character's development; if audiences sense manipulation or insincerity, they will disengage and reject the narrative, highlighting the sanctity of truthful representation in art.
In practice
In a workshop on writing, a facilitator might share this quote to encourage students to embrace authenticity in their character creation.
When you first start out as an actor, you're just looking for a good part. As time goes on, if you're being held responsible for the movies themselves, you're looking for a good script all around.
I want work that, possessing as thin a membrane as possible between life and art, foregrounds the question of how the writer solves being alive.
Each period of a civilisation creates an art that is specific in it and which we will never see reborn. To try and revive the principles of art of past centuries can lead only to the production of stillborn works.
I was practically driven to Rome in order to obtain the opportunities for art culture and to find a social atmosphere where I was not constantly reminded of my color. The land of liberty had no room for a colored sculptor.
Because each photograph is only a fragment, its moral and emotional weight depends on where it is inserted. A photograph changes according to the context in which it is seen: thus Smith's Minamata photographs will seem different on a contact sheet, in a gallery, in a political demonstration, in a police file, in a photographic magazine, in a book, on a living-room wall. Each o these situations suggest a different use for the photographs but none can secure their meaning.
Next to him lay his violin, trampled, an eerily poignant little corpse.
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