Never to get lost is not to live, not to know how to get lost brings you to destruction.
Rebecca SolnitRead
I still think the revolution is to make the world safe for poetry, meandering, for the frail and vulnerable, the rare and obscure, the impractical and local and small.
Interpretation
The quote emphasizes the importance of creating a world that nurtures creativity and sensitivity.
Rebecca Solnit's quote captures the idea of a revolution that prioritizes the delicate and often overlooked aspects of life, such as poetry and vulnerability. It advocates for a society where the arts and the seemingly impractical are valued and protected, suggesting that a truly humane world is one that embraces the fragile, rare, and local elements that contribute to our humanity.
In practice
In a creative writing workshop, I shared a quote by Rebecca Solnit to inspire participants to embrace their unique voices.
Never to get lost is not to live, not to know how to get lost brings you to destruction.
We have a real role in how our own collective lives, our nation, and our world and society turn out. Seizing those opportunities is important, and disasters are sometimes one of those opportunities.
If sorrow and beauty are all tied up together, then perhaps maturity brings with it not what Nabhan calls abstraction, but an aesthetic sense that partially redeems the losses time brings and finds beauty in the faraway.
The object we call a book is not the real book, but its potential, like a musical score or seed. It exists fully only in the act of being read; and its real home is inside the head of the reader, where the symphony resounds, the seed germinates. A book is a heart that only beats in the chest of another.
Cities have always offered anonymity, variety, and conjunction, qualities best basked in by walking: one does not have to go into the bakery or the fortune-teller's, only to know that one might. A city always contains more than any inhabitant can know, and a great city always makes the unknown and the possible spurs to the imagination.
We fly; we dream in darkness; we devour heaven in bites too small to be measured.
People call me the painter of dancers, but I really wish to capture movement itself.
When I look at a body it gives me choice of what to put in a painting, what will suit me and what won't. There is a distinction between fact and truth. Truth has an element of revelation about it. If something is true, it does more than strike one as merely being so.
The sound and music are 50% of the entertainment in a movie.
If you've noticed that I don't use long takes, it's not because I don't like them, but because no one gives me the necessary means to treat myself to them. It's more economical to make one image, then this image and then that image, and try to control them later, in the editing studio.
What goes on in abstract art is the proclaiming of aesthetic principles... It is in our own time that we have become aware of pure aesthetic considerations. Art never can be imitation.
All you're trying to do in an improvisation is get as much material as possible for the editing room.
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