Never to get lost is not to live, not to know how to get lost brings you to destruction.
Rebecca SolnitRead
I still think the revolution is to make the world safe for poetry, meandering, for the frail and vulnerable, the rare and obscure, the impractical and local and small.
Interpretation
The quote emphasizes the importance of creating a world that nurtures creativity and sensitivity.
Rebecca Solnit's quote captures the idea of a revolution that prioritizes the delicate and often overlooked aspects of life, such as poetry and vulnerability. It advocates for a society where the arts and the seemingly impractical are valued and protected, suggesting that a truly humane world is one that embraces the fragile, rare, and local elements that contribute to our humanity.
In practice
In a creative writing workshop, I shared a quote by Rebecca Solnit to inspire participants to embrace their unique voices.
Never to get lost is not to live, not to know how to get lost brings you to destruction.
We have a real role in how our own collective lives, our nation, and our world and society turn out. Seizing those opportunities is important, and disasters are sometimes one of those opportunities.
If sorrow and beauty are all tied up together, then perhaps maturity brings with it not what Nabhan calls abstraction, but an aesthetic sense that partially redeems the losses time brings and finds beauty in the faraway.
The object we call a book is not the real book, but its potential, like a musical score or seed. It exists fully only in the act of being read; and its real home is inside the head of the reader, where the symphony resounds, the seed germinates. A book is a heart that only beats in the chest of another.
Cities have always offered anonymity, variety, and conjunction, qualities best basked in by walking: one does not have to go into the bakery or the fortune-teller's, only to know that one might. A city always contains more than any inhabitant can know, and a great city always makes the unknown and the possible spurs to the imagination.
We fly; we dream in darkness; we devour heaven in bites too small to be measured.
I feel so entirely in my element with a full orchestra; even if my mortal enemies were marshalled before me, I could lead them, master them, surround them, or repulse them.
When I was born, the doctor looked at my mother and said, "Congratulations, you have an actor!"
As an actor, there's a bit of you that's decided you want to be looked at and watched, but there's a paradoxical bit that wants to run away.
Clarity, clarity, surely clarity is the most beautiful thing in the world, A limited, limiting clarity I have not and never did have any motive of poetry But to achieve clarity.
Cubism was an attack on the perspective that had been known and used for 500 years. It was the first big, big change. It confused people: they said, 'Things don't look like that!'
Since the beginning of the 20th century, the public's relationship to art has been weakened by a profound institutional reluctance to address the question of what art is for. This is a question that has, quite unfairly, come to feel impatient, illegitimate, and a little impudent.
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