It is in books, poems, paintings which often give us the confidence to take seriously feelings in ourselves that we might otherwise never have thought to acknowledge.
Alain De BottonRead
Since the beginning of the 20th century, the public's relationship to art has been weakened by a profound institutional reluctance to address the question of what art is for. This is a question that has, quite unfairly, come to feel impatient, illegitimate, and a little impudent.
Interpretation
The public's connection to art has diminished due to institutions avoiding essential questions about its purpose.
In this quote, Alain De Botton critiques how institutions have neglected the fundamental question of the purpose of art, leading to a weaker bond between the public and artistic expressions. This avoidance fosters a narrative that questions the validity of asking such questions, ultimately detracting from our ability to appreciate and understand art's significance in our lives.
In practice
In a discussion about art education, this quote may highlight the need for teaching about the purpose of art.
It is in books, poems, paintings which often give us the confidence to take seriously feelings in ourselves that we might otherwise never have thought to acknowledge.
Taking architecture seriously therefore makes some singular and strenuous demands upon us...It means conceding that we are inconveniently vulnerable to the colour of our wallpaper and that our sense of purpose may be derailed by an unfortunate bedspread
The more closely we analyze what we consider 'sexy,' the more clearly we will understand that eroticism is the feeling of excitement we experience at finding another human being who shares our values and our sense of the meaning of existence.
Good books put a finger on emotions that are deeply our own - but that we could never have described on our own.
The challenge of modern relationships: how to prove more interesting than the other's smartphone.
It is the most ambitious and driven among us who are the most sorely in need of having our reckless hopes dampened through immersive dousings in the darkness which religions have explored. This is a particular priority for secular Americans, perhaps the most anxious and disappointed people on earth, for their nation infuses them with the most extreme hopes about what they may be able to achieve in their working lives and relationships.
Painting, like any art, comprises a technique, a workmanlike handling of material, but the accuracy of a tone and the fictitious combination of effects depend entirely on the choice made by the artist.
The function of the artist in a disturbed society is to give awareness of the universe, to ask the right questions, and to elevate the mind.
While I drew, and wept along with the terrified children I was drawing, I really felt the burden I am bearing. I felt that I have no right to withdraw from the responsibility of being an advocate.
When I have trouble writing, I step outside my studio into the garden and pull weeds until my mind clears--I find weeding to be the best therapy there is for writer's block.
Am I a guy who writes about himself in a comic book, or am I just a character in that book? If I die, will that character keep going, or will he just fade away?
One should really use the camera as though tomorrow you'd be stricken blind.
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