Poetry is the art of creating imaginary gardens with real toads.
I see no reason for calling my work poetry except that there is no other category in which to put it.
Interpretation
What this quote means
Marianne Moore expresses the uniqueness of her work by stating that it defies traditional classification as poetry.
In this quote, Marianne Moore suggests that her creative output does not fit neatly into established categories, including poetry, highlighting the fluidity and complexity of artistic expression. This statement reveals the struggle many artists face when trying to label their work, underscoring the idea that true artistry can transcend conventional definitions and norms.
Themes
In practice
Example use cases
In a discussion about defining modern art, I might say, 'As Marianne Moore noted, I see no reason for calling my work poetry except that there is no other category in which to put it.'
More from Marianne Moore
All quotes →Not till the poets among us can be "literalists of the imagination"-above insolence and triviality and can present for inspection, "imaginary gardens with real toads in them." shall we have it.
In a poem the excitement has to maintain itself. I am governed by the pull of the sentence as the pull of a fabric is governed by gravity.
Originality is... a by-product of sincerity.
It is quite cruel that a poet cannot wander through his regions of enchantment without having a critic, forever, like the old man of the sea, upon his back.
If technique is of no interest to a writer, I doubt that the writer is an artist.
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I think that were beginning to remember that the first poets didn't come out of a classroom, that poetry began when somebody walked off of a savanna or out of a cave and looked up at the sky with wonder and said, "Ahhh." That was the first poem.
The moment a man sets his thoughts down on paper, however secretly, he is in a sense writing for publication.
For Poesy alone can tell her dreams, With the fine spell of words alone can save Imagination from the sable charm And dumb enchantment. Who alive can say, ‘Thou art no Poet may’st not tell thy dreams?’ Since every man whose soul is not a clod Hath visions, and would speak, if he had loved And been well nurtured in his mother tongue. Whether the dream now purpos’d to rehearse Be poet’s or fanatic’s will be known When this warm scribe my hand is in the grave.
I wonder if I can write this history, or if on every page there will be some sneaking show of a bitterness I thought long dead. I think myself cured of all spite, but when I touch pen to paper, the hurt of a boy bleeds out with the sea-spawned ink, until I suspect each carefully formed black letter scabs over some ancient scarlet wound.