Poetry is the art of creating imaginary gardens with real toads.
Marianne MooreRead
It is quite cruel that a poet cannot wander through his regions of enchantment without having a critic, forever, like the old man of the sea, upon his back.
Interpretation
Poets often face criticism that can weigh heavily on their creative expression.
Marianne Moore's quote highlights the burden that critics impose on poets, suggesting that the creative process can be stifled by constant scrutiny. It metaphorically compares a critic to an Old Man of the Sea, symbolizing the overwhelming and often unfair weight of judgment that artists must carry as they explore their own imaginative realms.
In practice
A speaker at a writers' conference might use this quote to discuss the challenges of artistic creation.
Poetry is the art of creating imaginary gardens with real toads.
Not till the poets among us can be "literalists of the imagination"-above insolence and triviality and can present for inspection, "imaginary gardens with real toads in them." shall we have it.
In a poem the excitement has to maintain itself. I am governed by the pull of the sentence as the pull of a fabric is governed by gravity.
Originality is... a by-product of sincerity.
I see no reason for calling my work poetry except that there is no other category in which to put it.
If technique is of no interest to a writer, I doubt that the writer is an artist.
From my spirit's gray defeat, From my pulse's flagging beat, From my hopes that turned to sand Sifting through my close-clenched hand, From my own fault's slavery, If I can sing, I still am free. For with my singing I can make A refuge for my spirit's sake, A house of shining words, to be My fragile immortality.
Painting is a nail to which I fasten my ideas.
Tasting a dish should be memorable If nothing remains in the memory of a single guest, then I have made a mistake.
I think the blues is the best literature that we as blacks have created since we've been here. I call it our 'sacred book.' What I've attempted to do is to mine that field, to mine those cultural ideas and attitudes and give them to my characters.
Dance design is not simply one element; it is that without which ballet cannot exist. As aria is to opera, words to poetry, color to painting, so sequence in steps - their syntax, idiom, vocabulary - are the stuff of stage dancing.
You can sing only what you are. You can paint only what you are. You must be what your experiences, your environment, and your heredity have made you. For better or for worse, you must play your own little instrument in the orchestra of life.
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