Not till the poets among us can be "literalists of the imagination"-above insolence and triviality and can present for inspection, "imaginary gardens with real toads in them." shall we have it.
Marianne MooreRead
Poetry is the art of creating imaginary gardens with real toads.
Interpretation
Poetry combines imagination and reality to create beauty and depth.
Marianne Moore's quote suggests that poetry transcends mere words; it creates a vibrant world where reality intersects with imagination. By likening poetry to 'imaginary gardens with real toads,' she implies that it holds the power to evoke genuine emotions and thoughts through artistic expression, utilizing the tangible and the fantastical to explore deeper meanings of life.
In practice
In a discussion about the importance of creativity in literature.
Not till the poets among us can be "literalists of the imagination"-above insolence and triviality and can present for inspection, "imaginary gardens with real toads in them." shall we have it.
In a poem the excitement has to maintain itself. I am governed by the pull of the sentence as the pull of a fabric is governed by gravity.
Originality is... a by-product of sincerity.
It is quite cruel that a poet cannot wander through his regions of enchantment without having a critic, forever, like the old man of the sea, upon his back.
I see no reason for calling my work poetry except that there is no other category in which to put it.
If technique is of no interest to a writer, I doubt that the writer is an artist.
I had to learn to do everything because I couldn't find another kindred soul. Now you see eighty people listed doing the same things I was doing by myself.
I write description in longhand because that's hardest for me and you're closer to the paper when you work by hand, but I use the typewriter for dialogue because people speak like a typewriter works.
I'm one of the culprits who keeps turning stuff around, shaking up original tunes and trying to stand the canon on its ear. But sometimes, you just need to sing the song.
Essentially, perspective is a form of abstraction. It simplifies the relationship between eye, brain and object. It is an ideal view, imagined as being seen by a one-eyed, motionless person who is clearly detached from what he sees. It makes a God of the spectator, who becomes the person on whom the whole world converges, the Unmoved Onlooker.
My opinion is that a poet should express the emotion of all the ages and the thought of his own.
There is only one true thing: Instantly paint what you see.
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