Poetry is the art of creating imaginary gardens with real toads.
Marianne MooreRead
Not till the poets among us can be "literalists of the imagination"-above insolence and triviality and can present for inspection, "imaginary gardens with real toads in them." shall we have it.
Interpretation
The quote emphasizes the importance of creative imagination in poetry and art, where ideas should blend reality with imaginative elements.
Marianne Moore's quote suggests that for poets and artists to truly capture the essence of life, they must transcend superficiality and trivial concerns. They need to merge the imaginative aspects of their work with tangible, realistic elements, creating a balance that evokes deeper understanding and appreciation in their audience. The phrase 'imaginary gardens with real toads' symbolizes the interplay between the dreamlike and the authentic in art.
In practice
In a literary discussion about the role of imagination in poetry.
Poetry is the art of creating imaginary gardens with real toads.
In a poem the excitement has to maintain itself. I am governed by the pull of the sentence as the pull of a fabric is governed by gravity.
Originality is... a by-product of sincerity.
It is quite cruel that a poet cannot wander through his regions of enchantment without having a critic, forever, like the old man of the sea, upon his back.
I see no reason for calling my work poetry except that there is no other category in which to put it.
If technique is of no interest to a writer, I doubt that the writer is an artist.
Writing is sacred, other activities are profane, and I don't want them to corrupt my writing.
In an essay, you have the outcome in your pocket before you set out on your journey, and very rarely do you make an intellectual or psychological discovery. But when you write fiction, you don't know where you are going - sometimes down to the last paragraph - and that is the pleasure of it.
Has my tale turned you speechless? Come, curse me or kiss me or call me a liar. Something.
Some of what I consider my best work, and some of the best films that I've ever worked on, kind of disappear without a trace. There's no accounting for it. Something connects, or something doesn't.
I have a high guilt quotient. A poem can go through as many as 50 or 60 drafts. It can take from a day to two years-or longer.
I've been alienating my public since I was 20 years old. When 'American Buffalo' came out on Broadway, people would storm out and say, 'How dare he use that kind of language!' Of course I'm alienating the public! That's what they pay me for.
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