Poetry is the art of creating imaginary gardens with real toads.
Marianne MooreRead
Not till the poets among us can be "literalists of the imagination"-above insolence and triviality and can present for inspection, "imaginary gardens with real toads in them." shall we have it.
Interpretation
The quote emphasizes the importance of creative imagination in poetry and art, where ideas should blend reality with imaginative elements.
Marianne Moore's quote suggests that for poets and artists to truly capture the essence of life, they must transcend superficiality and trivial concerns. They need to merge the imaginative aspects of their work with tangible, realistic elements, creating a balance that evokes deeper understanding and appreciation in their audience. The phrase 'imaginary gardens with real toads' symbolizes the interplay between the dreamlike and the authentic in art.
In practice
In a literary discussion about the role of imagination in poetry.
Poetry is the art of creating imaginary gardens with real toads.
In a poem the excitement has to maintain itself. I am governed by the pull of the sentence as the pull of a fabric is governed by gravity.
Originality is... a by-product of sincerity.
It is quite cruel that a poet cannot wander through his regions of enchantment without having a critic, forever, like the old man of the sea, upon his back.
I see no reason for calling my work poetry except that there is no other category in which to put it.
If technique is of no interest to a writer, I doubt that the writer is an artist.
I'm not a theoretician about playwriting, but I have a strong sense that plays have to be pitched - the scene, the line, the word - at the exact point where the audience has just the right amount of information. It's like Occam's razor.
Color helps to express light, not the physical phenomenon, but the only light that really exists, that in the artist's brain.
The last song was so deep and raw and pure that I could not escape. It was as if the people were singing in between the notes, weeping and joyful at the same time, and I felt like their voices or something was rocking me in its bosom, holding me like a scared kid, and I opened up to that feeling-and it washed over me.
I think of myself as a stylist, and stylists can become notoriously obsessed with the placing of a comma, the weight of a semicolon.
The truest writers are those who see language not as a linguistic process but as a living element.
As far as I'm concerned, freedom is the most important thing to creativity. You should feel free to write in whatever way, whatever language, feels comfortable to you.
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