A dream has power to poison sleep.
Percy Bysshe ShelleyRead
I arise from dreams of thee, And a spirit in my feet Has led me- who knows how? To thy chamber-window, Sweet!
Interpretation
The speaker expresses a deep yearning and inspiration drawn from their beloved, suggesting a connection that transcends understanding.
In this quote, Percy Bysshe Shelley conveys the intoxicating effect of love through a vivid dreamlike imagery. The speaker feels an irresistible pull, as if guided by an unseen force, toward the object of their affection, encapsulating the profound and sometimes inexplicable nature of romantic longing.
In practice
This quote can be shared in a romantic letter to express your feelings for a partner.
A dream has power to poison sleep.
Senseless is the breast and cold _x000D_ _x000D_ Which relenting love would fold;_x000D_ _x000D_ Bloodless are the veins and chill _x000D_ _x000D_ Which the pulse of pain did fill; _x000D_ _x000D_ Every little living nerve _x000D_ _x000D_ That from bitter words did swerve _x000D_ _x000D_ Round the tortur'd lips and brow, _x000D_ _x000D_ Are like sapless leaflets now _x000D_ _x000D_ Frozen upon December's bough.
A sensitive plant in a garden grew,_x000D_ _x000D_ And the young winds fed it with silver dew,_x000D_ _x000D_ And it opened its fan_x000D_ _x000D_ like leaves to the light,_x000D_ _x000D_ and closed them beneath the kisses of night.
I am the daughter of Earth and Water, And the nursling of the Sky; I pass through the pores of the ocean and shores; I change, but I cannot die. For after the rain when with never a stain The pavilion of Heaven is bare, And the winds and sunbeams with their convex gleams Build up the blue dome of air, I silently laugh at my own cenotaph, And out of the caverns of rain, Like a child from the womb, like a ghost from the tomb, I arise and unbuild it again.
O, wind, if winter comes, can spring be far behind?
Ah, woe is me! Winter is come and gone. But grief returns with the revolving year.
Trapped in silence, Marco traces apologies and adorations across Celia's body with his tongue. Mutely expressing all the things he cannot speak aloud. He finds other ways to tell her, his fingers leaving faint trails of ink in their wake. He savors every sound he elicits from her. The entire room trembles as they come together. And though there are a great many fragile objects contained within it, nothing breaks.
Today I believe in the possibility of love; that is why I endeavor to trace its imperfections, its perversions.
And patience flees my heart, And reason flees my mind. Oh, how drunk can I get to be, Without your love's security?
He, too, stood looking at her for a moment - and it seemed to her that it was not a look of greeting after an absence, but the look of someone who had thought of her every day of that year. She could not be certain, it was only an instant, so brief that just as she caught it, he was turning.
The fact is that love is of two kinds, one which commands, and one which obeys. The two are quite distinct, and the passion to which the one gives rise is not the passion of the other.
You said to me once that you weren’t what I dreamed of. You were right. You surpass everything I dreamed of. Even the rot in you that’s caused you to do shameful things. Some men let the rot and guilt fester into something ugly beyond words. Few men can turn it into worth and substance. If you’re gods’ blessed for no other reason, it’s for that.
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