I made a wish on this tree years ago," Marco says. "What did you wish for?" Bailey asks. Marco leans forward and whispers in Bailey's ear. "I wished for her.
Erin MorgensternRead
Trapped in silence, Marco traces apologies and adorations across Celia's body with his tongue. Mutely expressing all the things he cannot speak aloud. He finds other ways to tell her, his fingers leaving faint trails of ink in their wake. He savors every sound he elicits from her. The entire room trembles as they come together. And though there are a great many fragile objects contained within it, nothing breaks.
Interpretation
This quote conveys a deep, intimate connection between two lovers who express their feelings through actions rather than words.
In this passage, the act of tracing apologies and adorations on Celia's body symbolizes the unspoken emotions that Marco feels but cannot articulate. Their communication transcends verbal language, manifesting in physical expressions of love that are both tender and passionate. The imagery suggests a sanctuary within their shared experience, where even amidst the fragility of their surroundings, their bond remains unbroken.
In practice
This quote can be shared in a wedding speech to highlight the power of non-verbal communication in love.
I made a wish on this tree years ago," Marco says. "What did you wish for?" Bailey asks. Marco leans forward and whispers in Bailey's ear. "I wished for her.
I worry hope will crush me, the way love has so many times before. Are they so different, hope and love? O & E in the same place, half of the other in each word. Both swimming in unknowns. I’ve been through the big changes. These ones should seem easier in comparison, I should be more prepared, but they don’t and I’m not. Sometimes I feel like a broken-wing butterfly, clinging to a window screen. Afraid to let go. Afraid to stay. Wondering how much wing is enough to fly.
Good and evil are a great deal more complex than a princess and a dragon . . . is not the dragon the hero of his own story?
It is perhaps both a blessing and a curse that fictional worlds spring into my mind nearly fully formed and it takes quite a while to sift through everything to find the story.
Widge can see the past." Poppet says suddenly. "That's why his stories are so good." "The past is easier," Widget says. "It's already there." "In the stars?" Bailey asks. "No." Widget says. "On people. The past stays on you the way powdered sugar stays on fingers. Some people can get rid of it but it's still there, the events and t hings that pushed you to where you are now.
There is so much that glows in the circus, from flames to lanterns to stars. I have heard the expression “trick of the light” applied to sights within Le Cirque des Reves so frequently that I sometimes suspect the entirety of the circus is itself a complex illusion of illumination” .
Silence in love betrays more woe - Than words though ne'er so witty; A beggar that is dumb, you know, may challenge double pity.
I believe that at the center of the universe there dwells a loving spirit who longs for all that’s best in all of creation, a spirit who knows the great potential of each planet as well as each person, and little by little will love us into being more than we ever dreamed possible. That loving spirit would rather die than give up on any one of us.
There is always some madness in love.
Training is needed in order to love properly; and to be able to give happiness and joy, you must practice DEEP LOOKING directed toward the other person you love. Because if you do not understand this person, you cannot love properly. Understanding is the essence of love. If you cannot understand, you cannot love. That is the message of the Buddha.
They will say I smoked cigarettes and marijuana, cursed hoarse as a crow in all my languages, and loved morphine and Demerol and tequila and pulque, women and men. I will shrug my illusion of shoulders and answer that I am a water woman, not a vessel, not something you can sail or charter. I am instead the tributary, the river, the fluid source, and the sea itself. I am all her rainy implications. And what do you, with your rusted compass, know of love?
There are two kind of men,' said Ka, in a didatic voice. 'The first kind does not fall in love until he's seen how the girls eats a sandwich, how she combs her hair, what sort of nonsense she cares about, why she's angry at her father, and what sort of stories people tell about her. The second type of man -- and I am in this category -- can fall in love with a woman only if he knows next to nothing about her.
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