I made a wish on this tree years ago," Marco says. "What did you wish for?" Bailey asks. Marco leans forward and whispers in Bailey's ear. "I wished for her.
Erin MorgensternRead
There is so much that glows in the circus, from flames to lanterns to stars. I have heard the expression “trick of the light” applied to sights within Le Cirque des Reves so frequently that I sometimes suspect the entirety of the circus is itself a complex illusion of illumination” .
Interpretation
This quote reflects the enchanting and illusory nature of experiences, particularly in the context of a circus setting.
In this quote, Erin Morgenstern describes the circus as a place filled with captivating lights and illusions, suggesting that beauty and wonder often stem from our perception of reality. It highlights how experiences can be both magical and deceptive, evoking a sense of awe while leaving us questioning the authenticity of what we see and feel.
In practice
Sharing this quote during a discussion about art and illusion at a gallery opening.
I made a wish on this tree years ago," Marco says. "What did you wish for?" Bailey asks. Marco leans forward and whispers in Bailey's ear. "I wished for her.
I worry hope will crush me, the way love has so many times before. Are they so different, hope and love? O & E in the same place, half of the other in each word. Both swimming in unknowns. I’ve been through the big changes. These ones should seem easier in comparison, I should be more prepared, but they don’t and I’m not. Sometimes I feel like a broken-wing butterfly, clinging to a window screen. Afraid to let go. Afraid to stay. Wondering how much wing is enough to fly.
Good and evil are a great deal more complex than a princess and a dragon . . . is not the dragon the hero of his own story?
Trapped in silence, Marco traces apologies and adorations across Celia's body with his tongue. Mutely expressing all the things he cannot speak aloud. He finds other ways to tell her, his fingers leaving faint trails of ink in their wake. He savors every sound he elicits from her. The entire room trembles as they come together. And though there are a great many fragile objects contained within it, nothing breaks.
It is perhaps both a blessing and a curse that fictional worlds spring into my mind nearly fully formed and it takes quite a while to sift through everything to find the story.
Widge can see the past." Poppet says suddenly. "That's why his stories are so good." "The past is easier," Widget says. "It's already there." "In the stars?" Bailey asks. "No." Widget says. "On people. The past stays on you the way powdered sugar stays on fingers. Some people can get rid of it but it's still there, the events and t hings that pushed you to where you are now.
We get so many people saying short fiction is not economical, that it doesn't sell; but there are so many of us enjoying writing it and reading it. So it's wonderful to be around people who love short fiction too - it's like hanging around with my tribe.
If a poet interprets a poem of his own he limits its suggestibility.
My attempt has been really to, beyond making a record of contemporary life, which is what you inevitably do, is trying to make beautiful books - books that are in some way beautiful, that are models of how to use the language, models of honest feeling, models of care.
Harry Potter has kindly joined us for my rebirthing party. One might go so far as to call him my guest of honor.
Successful fiction does not need to be validated by 'real life'; I cringe whenever a writer is asked how much of a novel is 'real'.
In the future, you won't buy artists' works; you'll buy software that makes original pieces of 'their' works, or that recreates their way of looking at things. You could buy a Shostakovich box, or you could buy a Brahms box. You might want some Shostakovich slow-movement-like music to be generated. So then you use that box.
Subscribe for the occasional hand-picked quote. No noise.