Artists are not cheerleaders, and we're not the heads of tourism boards. We expose and discuss what is problematic, what is contradictory, what is hurtful and what is silenced in the culture we're in.
Junot DiazRead
We get so many people saying short fiction is not economical, that it doesn't sell; but there are so many of us enjoying writing it and reading it. So it's wonderful to be around people who love short fiction too - it's like hanging around with my tribe.
Interpretation
Writing short fiction brings joy to both writers and readers, despite its commercial challenges.
Junot Diaz emphasizes the importance of passion over market trends in the world of short fiction. He suggests that while some view short fiction as economically unsustainable, the community of writers and readers who cherish it create a sense of belonging and fulfillment, likening it to being with one's 'tribe'.
In practice
In a writers' group discussing the value of different literary forms.
Artists are not cheerleaders, and we're not the heads of tourism boards. We expose and discuss what is problematic, what is contradictory, what is hurtful and what is silenced in the culture we're in.
Run a hand through your hair, like the white boys do, even though the only thing that runs easily through your hair is Africa.
I can see myself watching him shave every morning. And at other time I see us in that house and see how one bright day (or a day like this, so cold your mind shifts every time the wind does) he will wake up and decide it's all wrong. I'm sorry, he'll say. I have to leave now.
Migration gives a blank cheque to put anything you don't feel like addressing in the memory hold. No neighbours can go against the monster narrative of your family.
We all dream dreams of unity, of purity; we all dream that there's an authoritative voice out there that will explain things, including ourselves.
I think 90% of my ideas evaporate because I have a terrible memory and because I seem to be committed to not scribble anything down. As soon as I write it down, my mind rejects it.
Perfume is a form of writing, an ink, a choice made in the first person, the dot on the i, a weapon, a courteous gesture, part of the instant, a consequence.
You could say that it's in talking movies that inner life begins to appear. You can see things happen to the faces of people that were neither planned nor rehearsed.
Winning a competition in architecture is a ticket to oblivion. It's just an idea. Ninety-nine per cent never get built.
Actors search for rejection. If they don't get it they reject themselves.
Some people have written that my writing has helped them go on. It has helped me too. The writing, the roses, the 9 cats.
I think the experience of going to a theater and seeing a movie with a lot of people is still part of the transformational power of the film, and it's equivalent to the old shaman telling a story by the campfire to a bunch of people.
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