The function of a book or a poem or a story is to delight, to enchant, to beguile.
Philip PullmanRead
That's the duty of the old, to be anxious on behalf of the young. And the duty of the young is to scorn the anxiety of the old.
Interpretation
The older generation cares for the younger generation, while the youth often dismiss this concern.
In this quote, Philip Pullman expresses the dynamic relationship between the older and younger generations. He suggests that it is the responsibility of older individuals to worry about the future of the young, reflecting their care and concern, while also acknowledging that the young often respond with dismissiveness or scorn towards this anxiety, indicating a natural generational gap in understanding and perspectives on life.
In practice
During a family gathering, you could share this quote to spark a discussion about generational differences.
The function of a book or a poem or a story is to delight, to enchant, to beguile.
Education and health were always matters of charity. You educated children and you helped the sick because they were good things to do, not because you were going to make money out of them. If you let the money-making principle, the profit-seeking motive, anywhere near education and health, things go bad.
To get the best out of life here ...Good grief. There's plenty of it about, so indulge. Give yourself some thing to remember. Fall in love. Fall out of love. Gamble. Get drunk. See how long you can stay awake. Go for long walks at night. Discover what you're afraid of doing, and then do it.
People should decide on the books' meanings for themselves. They'll find a story that attacks such things as cruelty, oppression, intolerance, unkindness, narrow-mindedness, and celebrates love, kindness, open-mindedness, tolerance, curiosity, human intelligence.
I told him I was going to betray you, and betray Lyra, and he believed me because I was corrupt and full of wickedness; he looked so deep I felt sure he'd see the truth. But I lied too well. I was lying with every nerve and fiber and everything I'd ever done...I wanted him to find no good in me, and he didn't. There is none.
Lyra learns to her great cost that fantasy isnβt enough. She has been lying all her life, telling stories to people, making up fantasies, and suddenly she comes to a point where thatβs not enough. All she can do is tell the truth. She tells the truth about her childhood, about the experiences she had in Oxford, and that is what saves her. True experience, not fantasy - reality, not lies - is what saves us in the end.
Now, revealing that you're a keeper is no guarantee that this guy won't just walk away. Some men really are just sport fishing and have no intention of doing anything more than throwing back the women they bed. If this is the cae with this man, then let him walk-what do you care? He's not the guy you're looking for.
Why was she always so craven, so apologetic? He had always seen Ruth as separate, good and untainted. As a child, his parents had appeared to him as starkly black and white, the one bad and frightening, the other good and kind. Yet as he had grown older, he kept coming up hard in his mind against Ruth's willing blindness, to her constant apologia for his father, to the unshakeable allegiance to her false idol.
I seem to have fallen for women with missing parents. Goodness knows what it signifies.
If women were particular about men's characters, they would never get married at all.
My life has been enriched by excellent human relations, work and interests. I have never felt lonely.
Every year Swedish society produces a new generation of threatened women who can testify to the lack of legal rights and the lukewarm interest shown by the police and other authorities.
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