I am the eggman They are the eggmen! I am the walrus!
Interpretation
This quote reflects the whimsical and surreal nature of life and creativity.
John Lennon's quote from 'I Am the Walrus' embodies the playful absurdity of existence, suggesting that identities are fluid and often nonsensical. The use of characters like 'eggman' and 'walrus' creates an impression of surrealism, inviting interpretations about individuality and collective identity in a world filled with chaos and meaninglessness.
In practice
During a creative writing workshop, you might quote Lennon's whimsical approach to encourage students to embrace absurdity in their stories.
When I get older losing my hair many years from now. Will you still be sending me a Valentine. Birthday greetings, bottle of wine? If I'd been out till quarter to three would you lock the door? Will you still need me, will you still feed me, When I'm sixty-four?
The writing of the Beatles, or John and Paul's contribution to the Beatles in the late sixties - had a kind of depth to it, a more mature, more intellectual approach. We were different people, we were older. We knew each other in all kinds of different ways than when we wrote together as teenagers and in our older twenties.
I put things down on sheets of paper and stuff them in my pockets. When I have enough, I have a book.
Guilt for being rich, and guilt thinking that perhaps love and peace isn't enough and you have to go and get shot or something.
I regret profoundly that I was not an American and not born in Greenwich Village. It might be dying, and there might be a lot of dirt in the air you breathe, but this is where it's happening.
I've been baking bread and looking after the baby...Everyone else who has asked me that question over the last few years says. 'But what else have you been doing?' To which I say, 'Are you kidding?' Because bread and babies, as every housewife knows, is a full-time job. After I made the loaves [of bread,] I felt like I had conquered something. But as I watched the bread being eaten, I thought, Well, Jesus, don't I get a gold record or knighted or nothing?
To hell with facts! We need stories.
My method of getting a play across the footlights is like a revolver shooting: every line has a bullet in it and comes with an explosion.
I think there are advantages to different scales of filmmaking. You wouldn't want to do just one thing.
So What or Kind of Blue were done in that era, the right hour, the right day. It's over; it's on the record.
My metaphor for translation has always been that translation is really a performance art. You take the original and try to perform it, really, in a different medium. Part of that is about interpretation and what you think the author's voice really is.
The main reason for rewriting is not to achieve a smooth surface, but to discover the inner truth of your characters.
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