...imagine what you are writing about. See it and live it. Do not think it up laboriously, as if you were working out mental arithmetic. Just look at it, touch it, smell it, listen to it, turn yourself into it. When you do this, the words look after themselves, like magic.

The inmost spirit of poetry, in other words, is at bottom, in every recorded case, the voice of pain – and the physical body, so to speak, of poetry, is the treatment by which the poet tries to reconcile that pain with the world.

Nobody wanted your dance, Nobody wanted your strange glitter, your floundering Drowning life and your effort to save yourself, Treading water, dancing the dark turmoil, Looking for something to give.

Haven’t you heard of the music of the spheres?” asked the dragon. “It’s the music that space makes to itself. All the spirits inside all the stars are singing. I’m a star spirit. I sing too. The music of the spheres is what makes space so peaceful.

You solve it as you get older, when you reach the point where you've tasted so much that you can somehow sacrifice certain things more easily, and you have a more tolerant view of things like possessiveness (your own) and a broader acceptance of the pains and the losses.

The real mystery is this strange need. Why can't we just hide it and shut up? Why do we have to blab? Why do human beings need to confess?