If you want to be a good blues singer, people are going to be down on you, so dress like you're going to the bank to borrow money.
B. B. KingRead
I remember Elvis as a young man hanging around the Sun Studios. Even then, I knew this kid had a tremendous talent. He was a dynamic young boy. His phraseology, his way of looking at a song, was as unique as Sinatra's. I was a tremendous fan, and had Elvis lived, there would have been no end to his inventiveness.
Interpretation
This quote reflects on the immense talent of Elvis Presley and the impact he could have had on music had he lived longer.
B. B. King reminisces about his admiration for Elvis Presley, recognizing the young singer's extraordinary talent and unique approach to music. King believes that if Elvis had lived, he would have continued to innovate and create, leaving an indelible mark on the music industry. This admiration underscores the profound influence and potential of artists in shaping culture through their craft.
In practice
Using this quote in a speech about the impact of musicians on culture.
If you want to be a good blues singer, people are going to be down on you, so dress like you're going to the bank to borrow money.
The way I feel today, as long as my health is good and I can handle myself well and people still come to my concerts, still buy my CDs, I'll keep playing until I feel like I can't.
Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
A guitar is like an old friend that is there with me.
I have not been a good father, but no father has loved his children more. Like my father, I decided the best thing I could do for my kids was work and provide. Fortunately, I've been able to do that. Unfortunately, my work was on the road, and that's meant a life of one-nighters.
People all over the world have problems. And as long as people have problems, the blues can never die.
One thing that sticks in my mind is that jazz means freedom and openness. It's a music that, although it developed out of the African American experience, speaks more about the human experience than the experience of a particular people.
My songs speak for themselves. The musicians who play on them and the way they sound and where they were recorded and the way they were recorded is the old Nashville way ... they sound as country or more country than a lot of things that are on country radio.
In World War II, jazz absolutely was the music of freedom, and then in the Cold War, behind the Iron Curtain, same thing. It was all underground, but they needed the food of freedom that jazz offered.
I wanted to play blues. But I wasn't blue enough. I wasn't like Muddy Waters, people who really had it hard. In our house, we had food on the table. We were doing well compared to many. So I concentrated on this fun and frolic, these novelties.
I may be helping to bring harmony between people through my music.
Audiences like their blues singers to be miserable.
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