If you want to be a good blues singer, people are going to be down on you, so dress like you're going to the bank to borrow money.
B. B. KingRead
Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
Interpretation
The quote emphasizes authenticity in artistic expression, regardless of public opinion.
B. B. King's quote reflects the idea that true artistry comes from being oneself and creating music that resonates personally, rather than conforming to external expectations. He acknowledges the unpredictability of public taste, suggesting that artists should prioritize their individual style and instincts over the desire for commercial success.
In practice
An artist may use this quote in an interview to explain their creative process.
If you want to be a good blues singer, people are going to be down on you, so dress like you're going to the bank to borrow money.
The way I feel today, as long as my health is good and I can handle myself well and people still come to my concerts, still buy my CDs, I'll keep playing until I feel like I can't.
A guitar is like an old friend that is there with me.
I have not been a good father, but no father has loved his children more. Like my father, I decided the best thing I could do for my kids was work and provide. Fortunately, I've been able to do that. Unfortunately, my work was on the road, and that's meant a life of one-nighters.
People all over the world have problems. And as long as people have problems, the blues can never die.
When people treat you mean, you dislike them for that, but not because of their person, who they are. I was born and raised in a segregated society, but when I left there, I had nobody I disliked other than the people that'd mistreated me, and that only lasted for as long as they were mistreating me.
I want to lead the Victorian life, surrounded by exquisite clutter.
There were some advantages to being a woman photographer. I think women have more empathy with the subject.
The language of art is celestial in origin and can only be understood by the chosen.
I love ensemble pieces, I love being a part of the entire tapestry of a piece, but I think character actors do have a lot more fun, and there's a versatility involved that's challenging and fun, to come up to speed and do what's required of you.
If that voice that you created that is most alive in the poem isn't carried throughout the whole poem, then I destroy where it's not there, and I reconstruct it so that that voice is the dominant voice in the poem.
Now that the black experience isn't viewed as box-office death, people are catching up to untapped auteurs.
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