The capacity you're thinking of is imagination; without it there can be no understanding, indeed no fiction.
By the end, you should be inside your character, actually operating from within somebody else, and knowing him pretty well, as that person knows himself or herself. You're sort of a predator, an invader of people.
Interpretation
What this quote means
The quote emphasizes the deep immersion required in character acting, where understanding and empathy for the character's perspective is essential.
William Trevor's quote highlights the transformative process of becoming a character in acting. It suggests that to portray someone authentically, an actor must develop a profound understanding of that character's inner life, fears, and motivations, almost to the point of invading their personal space and thoughts. This level of empathy and connection is what separates surface-level acting from a truly powerful performance.
Themes
In practice
Example use cases
This quote can be used in a drama class to inspire students to delve deeper into their characters.
More from William Trevor
All quotes →My fiction may, now and again, illuminate aspects of the human condition, but I do not consciously set out to do so: I am a storyteller.
I read hungrily and delightedly, and have realized since that you can’t write unless you read.
People run away to be alone,' he said. Some people had to be alone.
Similar quotes
There's a difference between ad-libbing and improvising. And there's a difference between not knowing what to do and just saying something. Or making choices as an actor. As a writer also, as a person who's making a film, as a cameraman, everything is a choice. And it seems to me I don't really have to direct anyone or write down that somebody's getting drunk; all I have to do is say that there's a bottle there and put a bottle there and then they're going to get drunk.
Caring too much for objects can destroy you. Only—if you care for a thing enough, it takes on a life of its own, doesn’t it? And isn’t the whole point of things—beautiful things—that they connect you to some larger beauty?
We find things beautiful because we recognize them and contrariwise we find things beautiful because their novelty surprises us.
the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat
The fear of poetry is an indication that we are cut off from our own reality.
I remember loving sound before I ever took a music lesson. And so we make our lives by what we love.