I don't feel I've arrived home until I get on the beach. All my life, the theater of the sea has been a very strong thing.
Derek WalcottRead
I am not in England; I live in the Caribbean. So I am not hungover by prizes and awards because it does not happen very often.
Interpretation
The speaker values living in the present and does not seek validation through external accolades.
In this quote, Derek Walcott expresses a sense of contentment and detachment from the conventional markers of success, such as prizes and awards. He emphasizes his life in the Caribbean as a place where he is free from the pressures of seeking validation from others, suggesting that true fulfillment comes from one's surroundings and personal experiences rather than societal recognition.
In practice
In a motivational speech about finding joy in everyday life.
I don't feel I've arrived home until I get on the beach. All my life, the theater of the sea has been a very strong thing.
Creating a poem is a continual process of re-creating your ignorance, in the sense of not knowing what's coming next.
A long time ago, I thought, as a writer in the Caribbean, 'I don't ever want to have to write 'It was great in Paris.'' Because I don't think, proportionately speaking, that one's experience in a city as opposed to, say, a village in St. Lucia, is superior to the other.
My mother was a schoolteacher and very, very encouraging. She understood what it meant when I said I wanted to be a writer; both me and my brother wrote.
When I went to college - when I read Shakespeare or Dickens or Scott - I just felt that, as a citizen of England, a British citizen, this was as much my heritage as any schoolboy's. That is one of the things the Empire taught, that apart from citizenship, the synonymous inheritance of the citizenship was the literature.
The truest writers are those who see language not as a linguistic process but as a living element.
To be obsessed by the idea of freedom, for instance, is itself a form of slavery. Such people are in the chains of the hope of freedom, and are therefore able to do little else than struggle with them.
Man is above all else mind, consciousness -- that is, he is a product of history, not of nature.
Imagination is a very high sort of seeing, which does not come by study, but by the intellect being where and what it sees, by sharing the path, or circuits of things through forms, and so making them translucid to others.
In an age of speed, I began to think nothing could be more exhilarating than going slow. In an age of distraction, nothing can feel more luxurious than paying attention. And in an age of constant movement, nothing is more urgent than sitting still.
Even if these stories are 3,000 years old, there's still so much about the characters, about the dilemmas, about their understanding of the universe that still resonates. The whole idea of order and chaos, which is really central to the ancient Egyptian understanding of the world, is still very much with us.
Christ did not die to make his Father loving, but because his Father is loving: the atoning blood is the outflow of the very heart of God toward us.
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