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Our entire lives, we're inundated with media and messaging that tells us that to be incarcerated is to be criminal and to be criminal is to be a bad person.
Clint Smith
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Interpretation

What this quote means

The quote challenges the perception that criminals are inherently bad people, suggesting that societal messages can skew our understanding of morality.

Clint Smith's quote critiques the societal narrative that associates incarceration solely with criminality and moral failing. It emphasizes how media and messaging can paint a simplistic picture, ignoring the complexities of people's lives and the systemic issues that contribute to crime. This perspective urges us to reconsider our judgments about individuals who have been incarcerated, recognizing that their actions do not necessarily define their worth as human beings.

Themes

MediaMessagingIncarcerationCriminalityMorality

In practice

Example use cases

In a discussion about criminal justice reform, this quote could highlight the need for a more nuanced understanding of incarcerated individuals.

More from Clint Smith

The death penalty not only takes away the life of the person strapped to the table - it takes away a little bit of the humanity in each of us.
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In an effort to create a culture within my classroom where students feel safe sharing the intimacies of their own silences, I have four core principles posted on the board that sits in the front of my class, which every student signs at the beginning of the year: read critically, write consciously, speak clearly, tell your truth.
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One does not read a poem by Gwendolyn Brooks with hopes that it will grant him a career in engineering; he does so because poetry helps him see something in the world that he might not have seen before.
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History has proven that art depicting black people cannot be disentangled from the political implications that such art has on their lives. As Africans were being stripped from the continent and sailed across the Atlantic to the Western world, depictions of black people in Western art changed in order to further render them racialized caricatures.
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Photography, sculpture, and painting were wielded as cultural weapons over the course of generations to substantiate the idea that black people were inherently subordinate beings; they were used to make slavery acceptable and to make black subjugation more palatable.
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In my hometown of New Orleans, grief is a public spectacle that, somewhat paradoxically, necessitates celebration. The dead are not mourned so much as they are posthumously venerated with music and dance.
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