I use the computer as a tool. Like chance or the camera or the other tools I've used, it can open my eye to other ways of seeing or of making dances. It's not simply to do a trick.
Merce CunninghamRead
The most essential thing in dance discipline is devotion, the steadfast and willing devotion to the labor that makes the classwork not a gymnastic hour and a half, or at the lowest level, a daily drudgery, but a devotion that allows the classroom discipline to become moments of dancing too.
Interpretation
Devotion in dance transforms hard work into enjoyable moments of creativity.
Merce Cunningham emphasizes that the key to mastering dance lies in a deep commitment to the practice. This devotion elevates the mere physical effort of training into an art form, turning routine classes into joyful expressions of dance rather than just exhausting labor.
In practice
In a dance class, I often remind my students that true progress comes from devotion to their practice.
I use the computer as a tool. Like chance or the camera or the other tools I've used, it can open my eye to other ways of seeing or of making dances. It's not simply to do a trick.
Movement is expressive. I've never denied that. I don't think there's such a thing as abstract dance.
I think the thing that we agreed to so many years ago, actually, was that the music didn't have to support the dance nor the dance illustrate the music, but they could be two things going on at the same time.
My dance classes were open to anybody, my only stipulation was that they had to come to the class every day.
The only writers who have any peace are the ones who don't write. And there are some like that. They wallow in a sea of possibilities. To express a thought, you first have to limit it, and that means kill it. Every word I speak robs me of a thousand others, and every line I write means giving up another.
I used to go and flatten my nose against that window and absorb all I could of his art. It changed my life. I saw art then as I wanted to see it.
To devote yourself to the creation and enjoyment of beauty, then, can be a serious business-not always necessarily a means of escaping reality, but sometimes a means of holding on to the real when everything is flaking away into... rhetoric and plot.
Painting is the passage from the chaos of the emotions to the order of the possible.
All I want to see from an actor is the intensity and accuracy of their listening.
How happily, said Austerlitz, have I sat over a book in the deepening twilight until I could no longer make out the words and my mind began to wander, and how secure have I felt seated at the desk in my house in the dark night, just watching the tip of my pencil in the lamplight following its shadow, as if of its own accord and with perfect fidelity, while that shadow moved regularly from left to right, line by line, over the ruled paper.
Subscribe for the occasional hand-picked quote. No noise.