When I learnt to write I became my own master, I became very strong, and that strength is with me to this very day.
V. S. NaipaulRead
Some writers can only deal with childhood experience, because it's complete. For another kind of writer, life goes on, and he's able to keep processing that as well.
Interpretation
The quote discusses different perspectives writers have regarding their experiences, particularly childhood versus ongoing life experiences.
V. S. Naipaul highlights the distinction between writers who focus solely on childhood experiences, which they perceive as complete and unchangeable, and those who continue to process and draw from their ongoing life experiences. This reflects the idea that writing can stem from both finite moments in time and the fluid nature of life, influencing how stories and expressions are crafted.
In practice
In a speech on creativity, one could use this quote to illustrate the different sources of inspiration for artists.
When I learnt to write I became my own master, I became very strong, and that strength is with me to this very day.
It is wrong to have an ideal view of the world. That's where the mischief starts. That's where everything starts unravelling.
If you decide to move to another country and to live within its laws you don't express your disregard for the essence of the culture. It's a form of aggression.
One must always try to see the truth of a situation - it makes things universal.
His ignorance seemed to widen with everything he read.
I think when you see so many Hindu temples of the 10th century or earlier disfigured, defaced, you realise that something terrible happened. I feel the civilisation of that closed world was mortally wounded by those invasions the old world is destroyed. That has to be understood. Ancient Hindu India was destroyed.
The relationship between the public and the artist is complex and difficult to explain. There is a fine line between using this critical energy creatively and pandering to it.
Thirst will parch your tongue and your body will waste through lack of sleep ere you can describe in words that which painting instantly sets before the eye.
As a novelist, where do you go to tap into memories, and impressions, and sensations? It's usually, in my experience, your early life, before you started thinking of yourself as a writer, because somehow those experiences are unadulterated.
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens.
What’s so incredibly amusing with photography is that while seemingly an art of the surface, it catches things I haven’t even noticed. And it pains me not to have seen things in all their depth.
Writing is a spiritual practice in that people that have no spiritual path can undertake it and, as they write, they begin to wake up to a larger connection. After a while, people tend to find that there is some muse that they are connecting to.
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