I really do live for the future, because when I'm eating a box of candy, I can't wait to taste the last piece.
Andy WarholRead
I believe in low lights and trick mirrors.
Interpretation
Andy Warhol suggests that perception can be altered and subjective, often revealing deeper truths.
This quote by Andy Warhol reflects his artistic philosophy that reality is not always as it appears; the use of 'low lights and trick mirrors' symbolizes the playfulness of art and the notion that perspectives can be manipulated. Warhol, known for his pop art, captures the idea that art distorts reality, prompting viewers to question what they see and understand about the world, suggesting that beauty and truth can be found in unexpected ways.
In practice
In a discussion about modern art, one might reference Warhol's quote to emphasize the importance of perspective.
I really do live for the future, because when I'm eating a box of candy, I can't wait to taste the last piece.
Fantasy love is much better than reality love. Never doing it is very exciting. The most exciting attractions are between two opposites that never meet.
I love Los Angeles. I love Hollywood. They're beautiful. Everybody's plastic, but I love plastic. I want to be plastic.
Being good in business is the most fascinating kind of art
I never wanted to be a painter; I wanted to be a tap dancer.
I like to be the right thing in the wrong space and the wrong thing in the right space. But usually being the right thing in the wrong space and the wrong thing in the right space is worth it, because something funny always happens.
Mighty is geometry; joined with art, resistless.
Art is a manifestation of emotion, and emotion speaks a language that all may understand.
The people need poetry that will be their own secret_x000D_ To keep them awake forever,_x000D_ And bathe them in the bright-haired wave of its breathing.
Since I became a novelist I have discovered that I am biased. Either I think a new novel is worse than mine and I donβt like it, or I suspect it is better than my novels and I donβt like it.
Who knows if the moon's / a balloon, coming out of a keen city / in the sky - filled with pretty people?
I always find myself gravitating to the analogy of a maze. Think of film noir and if you picture the story as a maze, you don't want to be hanging above the maze watching the characters make the wrong choices because it's frustrating. You actually want to be in the maze with them, making the turns at their side, that keeps it more exciting...I quite like to be in that maze.
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