I really do live for the future, because when I'm eating a box of candy, I can't wait to taste the last piece.
Andy WarholRead
I believe in low lights and trick mirrors.
Interpretation
Andy Warhol suggests that perception can be altered and subjective, often revealing deeper truths.
This quote by Andy Warhol reflects his artistic philosophy that reality is not always as it appears; the use of 'low lights and trick mirrors' symbolizes the playfulness of art and the notion that perspectives can be manipulated. Warhol, known for his pop art, captures the idea that art distorts reality, prompting viewers to question what they see and understand about the world, suggesting that beauty and truth can be found in unexpected ways.
In practice
In a discussion about modern art, one might reference Warhol's quote to emphasize the importance of perspective.
I really do live for the future, because when I'm eating a box of candy, I can't wait to taste the last piece.
Fantasy love is much better than reality love. Never doing it is very exciting. The most exciting attractions are between two opposites that never meet.
I love Los Angeles. I love Hollywood. They're beautiful. Everybody's plastic, but I love plastic. I want to be plastic.
Being good in business is the most fascinating kind of art
I never wanted to be a painter; I wanted to be a tap dancer.
I like to be the right thing in the wrong space and the wrong thing in the right space. But usually being the right thing in the wrong space and the wrong thing in the right space is worth it, because something funny always happens.
The characters have their own lives and their own logic, and you have to act accordingly.
From the very early stage when I started doing performance art in the '70s, the general attitude - not just me, but also my colleagues - was that there should not be any documentation, that the performance itself is artwork and there should be no documentation.
People expect things from art that are horrible for us who make it! They put the things we make in these restrictive places called 'museums,' then don't want to hear another word from us.
I just wanted to go to New York and be on Broadway, but then I was accepted by Juilliard, where they trained me in classical voice. It was great in the end, but at the time, I thought, 'What am I doing here? This is not my path.' But it was absolutely my path and where I was meant to be.
I try to create sympathy for my characters, then turn the monsters loose.
I think that youβve got to make something that pleases you and hope that other people feel the same way.
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