Even though I'm seventeen, I guess I still thought this would always be true - that there would always be that lost-and-found, and not the lost-and-still-lost that I am now trapped inside.
Interpretation
The quote reflects a feeling of being lost and the disappointment of unfulfilled expectations as one grows up.
In this quote, the speaker expresses a poignant realization about the transition from childhood to adulthood, confronting the harsh truth that life does not always have a straightforward path of rediscovery and resolution. The reference to a 'lost-and-found' suggests a hope for recovery and reunification with lost aspects of oneself or life experiences, yet the speaker now feels confined in a state of being lost without a clear way back, highlighting the complexities of growing up and the challenges faced in finding one’s identity.
In practice
This quote could be used in a speech about the challenges of growing up.
this is why we call people exes, I guess - because the paths that cross in the middle end up separating at the end. it's too easy to see an X as a cross-out. it's not, because there's no way to cross out something like that. the X is a diagram of two paths.
This is what love does: It makes you want to rewrite the world. It makes you want to choose the characters, build the scenery, guide the plot. The person you love sits across from you, and you want to do everything in your power to make it possible, endlessly possible. And when it’s just the two of you, alone in a room, you can pretend that this is how it is, this is how it will be.
The tenderness between two people can turn the air tender, the room tender, time itself tender. As I step out of bed and slip on an oversize shirt, everything around me feels like it's the temperature of happiness.
I am made for running. Because when you run, you could be anyone. You hone yourself into a body, nothing more or less than a body. You respond as a body, to the body. If you are racing to win, you have no thoughts but the body's thoughts, no goals but the body's goals. You obliterate yourself in the name of speed. You negate yourself in order to make it past the finish line.
It doesn't have to be on Valentine's Day. It doesn't have to be by the time you turn eighteen or thirty-three or fifty-nine. It doesn't have to conform to whatever is usual. It doesn't have to be kismet at once, or rhapsody by the third date. It just has to be. In time. In place. In spirit. It just has to be.
I will never have a photograph of her to carry around in my pocket. I will never have a letter in her handwriting, or a scrap-book of everything we've done. I will never share an apartment with her in the city. I will never know if we are listening to the same song at the same time. We will not grow old together. I will not be the person she calls when she's in trouble. She will not be the person I call when I have stories to tell. I will never be able to keep anything she's given to me.
It's from being melancholy and having my human down experiences that I learn, that I overcome, that I transform - and these realizations I put into song. That's what I choose to put in my backpack and carry with me around the world.
If I can stop one heart from breaking, I shall not live in vain.
The point of the journey is not just healing. It's also recovering the truest, most spontaneous, joyful, and creative core of ourselves.
People say to me, 'Are you still excited when you go on tour?' Should I be excited about leaving my family? No, and no one should. It's as simple as that. If you put aside the fantasy of it, it is what it is and has to be done. And that's fine, and I pour my entire energy and enthusiasm into it, but of course, I'm of two minds about the whole idea.
Yo get a real job. Rappin doesn't pay the rent, I hate the studio cause that's where all my money went.
You could sometimes see her twelfth year in her cheeks, or her ninth sparkling from her eyes; and even her fifth would flit over the curves of her mouth now and then.
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