The sun never knew how great it was until it hit the side of a building.
Louis KahnRead
Every building must have... its own soul.
Interpretation
Every structure holds a unique character that defines its essence.
Louis Kahn's quote emphasizes the idea that architecture is not merely about functionality or aesthetics, but also about the spirit and identity of the building itself. He suggests that every building has its own soul, which reflects the values, culture, and emotions associated with it, making architecture a profound expression of human experience.
In practice
In a speech about sustainable architecture, one could say, 'As Louis Kahn noted, every building must have its own soul, reminding us to embrace the spirit of our environment.'
The sun never knew how great it was until it hit the side of a building.
I sense a Threshold: Light to Silence, Silence to Light - an ambiance of inspiration, in which the desire to be, to express, crosses with the possible Light to Silence, Silence to Light crosses in the sanctuary of art.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
The room is the beginning of architecture.
Architecture is the reaching out for the truth.
The creation of art is not the fulfillment of a need but the creation of a need. The world never needed Beethoven's Fifth Symphony until he created it. Now we could not live without it.
The object of fiction isn't grammatical correctness but to make the reader welcome and then tell a story.... Writing is seduction. Good talk is part of seduction.
When the script is finished, and you're sitting around at a table read, and all the actors are reading the words that you've written, and you're hearing it out loud for the first time, that is always, every single time, no matter what, a magical process.
You hear about the Duke Ellingtons, the Jimmie Luncefords, and the Fletcher Hendersons, but people sometimes forget that jazz was not only built in the minds of the great ones, but on the backs of the ordinary ones.
My drawings inspire, and are not to be defined. They place us, as does music, in the ambiguous realm of the undetermined.
Films and hotels have many aspects that are the same. For example, there is always a big vision, an idea.
Reviews for someone like me come in three packages. One is justifiable praise, the second is justifiable criticism, and the third is, "This is only published because he's a celebrity."
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