What was any art but a mould in which to imprison for a moment the shining elusive element which is life itself - life hurrying past us and running away, too strong to stop, too sweet to lose.
Willa CatherRead
Every fine story must leave in the mind of the sensitive reader an intangible residuum of pleasure, a cadence, a quality of voice that is exclusively the writer's own, individual, unique.
Interpretation
A great story resonates with readers through its unique style and voice, leaving a lasting impression.
Willa Cather emphasizes the importance of a writer's unique voice in storytelling. She suggests that a truly fine story not only entertains but also evokes a sense of pleasure and a lingering quality that is distinctively tied to the writer’s individuality. This connection between the author and the reader creates a deeper appreciation for the nuances of the narrative.
In practice
During a literary workshop, I shared a quote about unique storytelling to illustrate the personal connection between writers and readers.
What was any art but a mould in which to imprison for a moment the shining elusive element which is life itself - life hurrying past us and running away, too strong to stop, too sweet to lose.
That is happiness; to be dissolved into something complete and great.
Our tree became the talking tree of the fairy tale; legends and stories nestled like birds in its branches.
Writing ought either to be the manufacture of stories for which there is a market demand - a business as safe and commendable as making soap or breakfast foods - or it should be an art, which is always a search for something for which there is no market demand, something new and untried, where the values are intrinsic and have nothing to do with standardized values.
The air and the earth interpenetrated in the warm gusts of spring; the soil was full of sunlight, and the sunlight full of red dust. The air one breathed was saturated with earthy smells, and the grass under foot had a reflection of the blue sky in it.
This is reality, whether you like it or not--all those frivolities of summer, the light and shadow, the living mask of green that trembled over everything, they were lies, and this is what was underneath. This is the truth.
I adore adverbs; they are the only qualifications I really much respect.
Music is one of the last elements in the creative process. It can and hopefully should tie a bow around an artistic concept, how a story moves forward, the pace of that storytelling.
Photography is a response that has to do with the momentary recognition of things. Suddenly you're alive. A minute later there was nothing there. I just watched it evaporate. You look one moment and there's everything, next moment it's gone. Photography is very philosophical.
When you use film, you use accidents, but there aren't any accidents with digital photography. I don't mind that it's easy. But I do mind that there is a sort of consensus with the camera and the subject and the light, and you look at something, and you photograph it, and you get what you see.
What I wanted to do was to get that sense of being in touch with this lost world while holding onto what draws readers and audiences there in the first place.
In some ways, my gift for music and writing was born out of tragedy, really, and loss.
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