If our history can challenge the next wave of musicians to keep moving and changing, to keep spiritually hungry and horny, that's what it's all about.
Carlos SantanaRead
I can show you that I have played with just about every jazz musician, every African musician, every blues musician. It's not like I'm cashing in on a false concept. This is what I do.
Interpretation
Carlos Santana expresses his deep engagement with various music genres, emphasizing authenticity in his art.
In this quote, Carlos Santana emphasizes his extensive experience and genuine connection with multiple genres of music, including jazz, African rhythms, and blues. He asserts that his musical journey is not a mere marketing tactic but a true reflection of his identity and passion for music, highlighting the importance of authenticity and the depth of artistic expression.
In practice
In a music class discussing the importance of genre diversity.
If our history can challenge the next wave of musicians to keep moving and changing, to keep spiritually hungry and horny, that's what it's all about.
My dad's a beautiful man, but like a lot of Mexican men, or men in general, a lot of men have a problem with the balance of masculinity and femininity - intuition and compassion and tenderness - and get overboard with the macho thing. It took him a while to become more, I would say, conscious, evolved.
I grew up in the sixties watching B.B. King and Tito Puente and Miles Davis and Coltrane, everybody, Marvin Gaye, Jimi. And at the same time, with my left eye I was watching Dolores Huerta, Cesar Chavez, Martin Luther King, Malcolm X, Mother Teresa.
First of all, the music that people call Latin or Spanish is really African. So Black people need to get the credit for that.
You can take things that Jimi Hendrix took, from Curtis Mayfield or from Buddy Guy for example, because we are all children of everything, even Picasso. But if you want to stand out, you have to learn to crystallize your existence and create your own fingerprints.
Ever since I was a child I've always been very attracted to melodies. Whether I hear Jeff Beck, a choir, an ocean or the wind, there's always a melody in there.
Jazz music is the power of now. There is no script. It's conversation. The emotion is given to you by musicians as they make split-second decisions to fulfill what they feel the moment requires.
That song didn't just happen. It grew out of my experiences. 'American Pie' was part of my process of self-awakening: a mystical trip into my past.
Some kids went to the movies for escape. We found it with jazz. This is where we got religion. It was a kind of raw spiritual anarchy.
Walter Beasley is an anomaly: a successful performing musician who possesses the rare skill of understanding the musical process beyond the intuitive. This special ability enables Walter to communicate with aspiring musicians in a way that removes the sense of mystery that sometimes enshrouds our profession.
I don't know if it's changing already with 'Joanne,' but my intention is to bring people together that don't know each other and that would maybe feel awkward, but somehow be brought together by the music. That's what I wanted to do. Because that is pure and authentic to my family history and what I stand for.
When I'm on stage, I'm trying to do one thing: bring people joy. Just like church does. People don't go to church to find trouble, they go there to lose it.
Subscribe for the occasional hand-picked quote. No noise.