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Every novel is an equal collaboration between the writer and the reader and it is the only place in the world where two strangers can meet on terms of absolute intimacy.
Paul Auster
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Interpretation

What this quote means

This quote emphasizes the collaborative nature of reading and writing, suggesting that both the writer and reader contribute to the creation of a story.

In this quote, Paul Auster highlights the intimate relationship that forms between a reader and a writer through literature. He suggests that a novel acts as a canvas where the writer paints their ideas, but it is the reader's interpretation that brings those ideas to life, creating a unique experience of connection and understanding that is rare in the wider world.

Themes

NovelCollaborationReaderWriterIntimacyLiterature

In practice

Example use cases

This quote can be used during a book club discussion to highlight the shared experience of reading.

More from Paul Auster

Those of us who can remember our childhoods will recall how ardently we relished the moment of the bedtime story, when our mother or father would sit down beside us in the semi-dark and read from a book of fairy tales.
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For a man who finds life tolerable only by staying on the surface of himself, it is natural to be satisfied with offering no more than his surface to others. There are few demands to be met, and no commitment is required. Marriage, on the other hand, closes the door. Your existence is confined to a narrow space in which you are constantly forced to reveal yourself – and therefore, constantly obliged to look into yourself, to examine your own depths.
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He knew that his wings could ignite at any moment, but the closer he came to touching the fire, the more he sensed that he was fulfilling his destiny. As he put it in his journal that night: If I mean to save my life, then I have to come within an inch of destroying it.
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People look at the same passage, and one person will say this is the best thing he's ever read, and another person will say it's absolutely idiotic. I mean, there's no way to reconcile those two things. You just have to forget the whole business of what people are saying.
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Bodies count, of course - they count more than we're willing to admit - but we don't fall in love with bodies, we fall in love with each other. We all know that, but the moment we go beyond a catalogue of surface qualities and appearances, words begin to fail us, to crumble apart in mystical confusions and cloudy, unsubstantial metaphors.
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At that point, Noriko finally breaks down and begins to cry sobbing into her hands as the floodgates open - this young woman who has suffered in silence for so long, this good woman who refuse to believe she's good, for only the good doubt their own goodness, which is what makes them good in the first place. The bad know they are good, but the good know nothing. They spend their lives forgiving others, but they can't forgive themselves.
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