Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
Oscar WildeRead
You like every one; that is to say, you are indifferent to every one.
Interpretation
Indifference towards others often disguises itself as likeability.
Oscar Wilde's quote suggests that a superficial semblance of liking everyone can actually stem from a deeper indifference. This implies that without genuine connection or emotional engagement, one might merely be masking their apathy under a guise of friendliness, ultimately leading to a lack of meaningful relationships and understanding in life.
In practice
During a discussion about social interactions, one might use this quote to highlight the difference between true affection and superficial friendliness.
Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
London is too full of fogs and serious people. Whether the fogs produce the serious people, or whether the serious people produce the fogs, I don't know.
When one has never heard a man's name in the course of one's life, it speaks volumes for him; he must be quite respectable.
Men always want to be a woman's first love - women like to be a man's last romance.
A truth ceases to be true when more than one person believes in it.
His morality is all sympathy, just what morality should be
If England was what England seems, _x000D_ An not the England of our dreams, _x000D_ But only putty, brass, an' paint, _x000D_ 'Ow quick we'd chuck 'er! But she ain't!
I feel too much. That's what's going on.' 'Do you think one can feel too much? Or just feel in the wrong ways?' 'My insides don't match up with my outsides.' 'Do anyone's insides and outsides match up?' 'I don't know. I'm only me.' 'Maybe that's what a person's personality is: the difference between the inside and outside.' 'But it's worse for me.' 'I wonder if everyone thinks it's worse for him.' 'Probably. But it really is worse for me.
So we beat on, boats against the current, borne back ceaselessly into the past.
If you try to use your head to think about things, people don't want to have anything to do with you
Every returning New Yorker asks the question: Is this still my city? I have a ready answer, cloaked in obstinate despair: It is. And if it's not, I will love it all the more. I will love it to the point where it becomes mine again.
We depend on our surroundings obliquely to embody the moods and ideas we respect and then to remind us of them. We look to our buildings to hold us, like a kind of psychological mould, to a helpful vision of ourselves. We arrange around us material forms which communicate to us what we need β but are at constant risk of forgetting what we need β within. We turn to wallpaper, benches, paintings and streets to staunch the disappearance of our true selves.
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