So we beat on, boats against the current, borne back ceaselessly into the past.
Interpretation
This quote reflects the struggle against the relentless flow of time and the past's impact on our present lives.
F. Scott Fitzgerald's quote illustrates the constant struggle individuals face as they navigate their lives, much like boats fighting against a current. It highlights the idea that, despite our efforts to move forward and evolve, we are often pulled back by our memories and past experiences. This interplay between aspiration and the weight of history serves as a profound reminder of the complexities of human existence.
In practice
In a graduation speech to motivate students about their future endeavors.
Don't be so anxious about it,' she laughed. 'I'm not used to being loved. I wouldn't know what to do; I never got the trick of it.' She looked down at him, shy and fatigued. 'So here we are. I told you years ago that I had the makings of Cinderella.' He took her hand; she drew it back instinctively and then replaced it in his. 'Beg your pardon. Not even used to being touched. But I'm not afraid of you, if you stay quiet and don't move suddenly.
The test of a first-rate intelligence is the ability to hold two opposed ideas in mind at the same time and still retain the ability to function.
It was about then [1920] that I wrote a line which certain people will not let me forget: "She was a faded but still lovely woman of twenty-seven."
The words seemed to bite physically into Gatsby.
But you can love more than just one person, can't you?
A sudden gust of rain blew over them and then another - as if small liquid clouds were bouncing along the land. Lightning entered the sea far off and the air blew full of crackling thunder. The table cloths blew around the pillars. They blew and blew and blew. The flags twisted around the red chairs like live things, the banners were ragged, the corners of the table tore off through the burbling billowing ends of the cloths.
Love of glory, fear of shame, greed for fortune, the desire to make life agreeable and comfortable, and the wish to depreciate others - all of these are often the causes of the bravery that is spoken so highly of by men.
The body is not a thing, it is a situation: it is our grasp on the world and our sketch of our project
I agree about Shaw - he is haunted by the mystery he flouts. He is an atheist who trembles in the haunted corridor.
It is the quality of patriotism to be jealous and watchful, to observe all secret machinations, and to see publick dangers at a distance. The true lover of his country is ready to communicate his fears, and to sound the alarm, whenever he perceives the approach of mischief. But he sounds no alarm, when there is no enemy; he never terrifies his countrymen till he is terrified himself. The patriotism, therefore, may be justly doubted of him, who professes to be disturbed by incredibilities.
The basis of good manners is self-reliance.
If a man devotes himself to the instructions of his own unconscious, it can bestow this gift [of renewal], so that suddenly life, which has been stale and dull, turns into a rich unending inner adventure, full of creative possibilities
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