The test of a first-rate intelligence is the ability to hold two opposed ideas in mind at the same time and still retain the ability to function.
Don't be so anxious about it,' she laughed. 'I'm not used to being loved. I wouldn't know what to do; I never got the trick of it.' She looked down at him, shy and fatigued. 'So here we are. I told you years ago that I had the makings of Cinderella.' He took her hand; she drew it back instinctively and then replaced it in his. 'Beg your pardon. Not even used to being touched. But I'm not afraid of you, if you stay quiet and don't move suddenly.
Interpretation
What this quote means
The quote expresses the vulnerability and uncertainty that comes with being loved, showcasing a fear of intimacy and the hesitance to accept affection.
In this quote, the character reveals her deep-seated anxiety about love and physical affection. The mention of not being used to love or touch highlights her past experiences that have made her cautious and weary of emotional connections. Despite her initial fear, there is a hint of hope as she acknowledges the presence of a connection, likening herself to Cinderella, suggesting that even though she feels unworthy or ill-equipped to handle love, she is open to the possibility of it. This reflects the complex emotions surrounding intimacy and the journey from fear to acceptance.
Themes
In practice
Example use cases
This quote would be perfect for a relationship workshop to illustrate the challenges of accepting love.
More from F. Scott Fitzgerald
All quotes →It was about then [1920] that I wrote a line which certain people will not let me forget: "She was a faded but still lovely woman of twenty-seven."
The words seemed to bite physically into Gatsby.
But you can love more than just one person, can't you?
A sudden gust of rain blew over them and then another - as if small liquid clouds were bouncing along the land. Lightning entered the sea far off and the air blew full of crackling thunder. The table cloths blew around the pillars. They blew and blew and blew. The flags twisted around the red chairs like live things, the banners were ragged, the corners of the table tore off through the burbling billowing ends of the cloths.
They were stars on this stage, each playing to an audience of two: the passion of their pretense created the actuality. Here, finally, was the quintessence of self-expression-- yet it was probable that for the most part their love expressed Gloria rather than Anthony. He felt often like a scarecly tolerated guest at a party she was giving.
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Man's creative struggle, his search for wisdom and truth, is a love story.
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I want to love you wildly. I don’t want words, but inarticulate cries, meaningless, from the bottom of my most primitive being, that flow from my belly like honey. A piercing joy, that leaves me empty, conquered, silenced.