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But you can love more than just one person, can't you?
F. Scott Fitzgerald
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Interpretation

What this quote means

The quote suggests that it is possible to have love for multiple individuals simultaneously.

F. Scott Fitzgerald's quote highlights the complexity of love, implying that the human capacity to love is not confined to a single individual. In relationships, especially in modern contexts, many people experience affection, attachment, and romantic feelings toward more than one person, suggesting a broader understanding of emotional connections.

Themes

LoveRelationshipsEmotionsConnectionHeart

In practice

Example use cases

In a discussion about open relationships, one might quote Fitzgerald to argue for the legitimacy of loving multiple partners.

More from F. Scott Fitzgerald

Don't be so anxious about it,' she laughed. 'I'm not used to being loved. I wouldn't know what to do; I never got the trick of it.' She looked down at him, shy and fatigued. 'So here we are. I told you years ago that I had the makings of Cinderella.' He took her hand; she drew it back instinctively and then replaced it in his. 'Beg your pardon. Not even used to being touched. But I'm not afraid of you, if you stay quiet and don't move suddenly.
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The test of a first-rate intelligence is the ability to hold two opposed ideas in mind at the same time and still retain the ability to function.
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It was about then [1920] that I wrote a line which certain people will not let me forget: "She was a faded but still lovely woman of twenty-seven."
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The words seemed to bite physically into Gatsby.
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A sudden gust of rain blew over them and then another - as if small liquid clouds were bouncing along the land. Lightning entered the sea far off and the air blew full of crackling thunder. The table cloths blew around the pillars. They blew and blew and blew. The flags twisted around the red chairs like live things, the banners were ragged, the corners of the table tore off through the burbling billowing ends of the cloths.
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They were stars on this stage, each playing to an audience of two: the passion of their pretense created the actuality. Here, finally, was the quintessence of self-expression-- yet it was probable that for the most part their love expressed Gloria rather than Anthony. He felt often like a scarecly tolerated guest at a party she was giving.
F. Scott FitzgeraldRead

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