I don't feel any pressure from fans. But I'm always in some kind of state of emotional turmoil. I would not describe myself as happy-go-lucky. That's not to say that I'm not happy.
Not every song I write is ecstasy. And it can happen only one time. After that, when you sing the same melody and words, it's pleasure, but you don't get wiped out.
Interpretation
What this quote means
The quote reflects the transient nature of artistic inspiration and the difference between initial creativity and subsequent repetition.
Paul Simon highlights the unique emotional experience of creating a new song, which can be intense and overwhelming. However, once that song is performed multiple times, the raw emotional impact diminishes, turning into a more pleasurable experience rather than an ecstatic one. This captures the essence of how art can resonate differently with both the creator and the audience over time.
Themes
In practice
Example use cases
During an interview about his songwriting process, Paul Simon's quote could be used to explain the difference between initial creativity and the subsequent performances of a song.
More from Paul Simon
All quotes →I sort of recognize it, as opposed to shaping it. Oh, that's a good idea, that's a good line. I wonder where I can use that. And when you get into a rhyme group like 'not,' you got a lot of rhymes, you got a lot of choices. The more you do it, the luckier you get.
I am just a poor boy, though my story's seldom told, and I have squandered my resistance, for a pocket full of mumbles, such are promises. All lies in jest, still a man hears what he wants to hear and disregards the rest...la-la-la-la-la-la-la-lala-la-la-la-la...
Who's gonna love you when your looks are gone?
I don't believe what the papers are saying They're just out to capture my dime, Exaggerating this, exaggerating that.
Improvisation is too good to leave to chance.
Similar quotes
When I worked on a magazine, I learned that there are many, many writers writing that can't write at all; and they keep on writing all the cliches and bromides and 1890 plots, and poems about Spring and poems about Love, and poems they think are modern because they are done in slang or staccato style, or written with all the 'i's' small.
Being a kid with black skin in South Central Los Angeles, in a part of the world where opportunity didn't necessarily knock every day, is what gave me this sensibility and drove me to explore my fascination with art.
The books I like to read the most feel like they've been written by somebody who had to write them or go crazy. They had to get them out of their heads. I like that kind of urgency.
I dance not to entertain but to help people better understand each other. Because through dance I have experienced the wordless joy of freedom, I seek it more fully now for my people and for all people everywhere.
I have discovered photography. Now I can kill myself. I have nothing else to learn.
The difference between a bad artist and a good one is: the bad artist seems to copy a great deal; the good one really does.