I don't feel any pressure from fans. But I'm always in some kind of state of emotional turmoil. I would not describe myself as happy-go-lucky. That's not to say that I'm not happy.
Not every song I write is ecstasy. And it can happen only one time. After that, when you sing the same melody and words, it's pleasure, but you don't get wiped out.
Interpretation
What this quote means
The quote reflects the transient nature of artistic inspiration and the difference between initial creativity and subsequent repetition.
Paul Simon highlights the unique emotional experience of creating a new song, which can be intense and overwhelming. However, once that song is performed multiple times, the raw emotional impact diminishes, turning into a more pleasurable experience rather than an ecstatic one. This captures the essence of how art can resonate differently with both the creator and the audience over time.
Themes
In practice
Example use cases
During an interview about his songwriting process, Paul Simon's quote could be used to explain the difference between initial creativity and the subsequent performances of a song.
More from Paul Simon
All quotes →I sort of recognize it, as opposed to shaping it. Oh, that's a good idea, that's a good line. I wonder where I can use that. And when you get into a rhyme group like 'not,' you got a lot of rhymes, you got a lot of choices. The more you do it, the luckier you get.
I am just a poor boy, though my story's seldom told, and I have squandered my resistance, for a pocket full of mumbles, such are promises. All lies in jest, still a man hears what he wants to hear and disregards the rest...la-la-la-la-la-la-la-lala-la-la-la-la...
Who's gonna love you when your looks are gone?
I don't believe what the papers are saying They're just out to capture my dime, Exaggerating this, exaggerating that.
Improvisation is too good to leave to chance.
Similar quotes
A lot of times, when people say hip-hop, they don't know what they're talking about. They just think of the rappers. When you talk about hip-hop, you're talking about the whole culture and movement. You have to take the whole culture for what it is.
We show people that anybody can paint a picture that they're proud of. It may never hang in the Smithsonian, but it will certainly be something that they'll hang in their home and be proud of. And that's what it's all about.
When your story is ready for rewrite, cut it to the bone. Get rid of every ounce of excess fat. This is going to hurt; revising a story down to the bare essentials is always a little like murdering children, but it must be done.
It is a widely accepted notion among painters that it does not matter what one paints as long as it is well painted. This is the essence of academicism.
If something doesn't creep into a drawing that you're not prepared for, you might as well not have drawn it.
I wanted to produce a book that would demonstrate not only the rich diversity of people who answered to Anders's command but also the extraordinary variety of their experiences and emotions: from death to despair, fear and longings and eventually to hope.